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Zucchero And Co.

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Zucchero

 
Zucchero And Co.
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  • We Say...

    In 1994, Italian singer/songwriter Adelmo Fornaciari (a.k.a. Zucchero, Italian for "sugar") performed alongside Eric Clapton and Pavarotti at the Woodstock Festival in what was his first real exposure to American audiences. Though he's still largely anonymous to those on this side of the Atlantic, his status among his peers is another thing altogether, as the names on this album make clear. John Lee Hooker, Sheryl Crow, Sting, Miles Davis, BB King, Macy Gray, Solomon Burke and the aforementioned Clapton and Pavarotti each perform with the singer on straightforward mainstream pop-rock songs spiced with unassuming electronic beats and layered like Italy's own mountainous topography.

    The tracks are nebulous enough that each takes on the distinctive characteristics of its collaborator. Thus, Crow's "Blue" (co-written by Zucchero and Bono) contains the same jangly flavor as her breakthrough "All I Wanna Do," and Sting's "Muoio Per Te," which he co-wrote with Zucchero, easily rests aside his post-Police work. The only straight cover here is the dreamy "Everybody's Got to Learn Sometime," first performed in 1980 by one-hit wonders the Korgis (their James Warren penned the tune) and recently covered by Beck on the Eternal Sunshine of the Spotless Mind soundtrack. It's the place to start.

    Because of the many collaborations and the occasionally suffocating production (the songs are packed so tightly with bells and whistles that only a cockroach could survive them), Zucchero & Co. is a slippery album. It's difficult to discern exactly who Zucchero is, besides a friend of many famous musicians. But with friends like these...

  • They Say...

    Italian star Zucchero has coaxed a wide variety of fellow artists into the studio over the years, and those vocal duets and other collaborations are gathered together on this collection, covering a period of over 15 years. This is one of those albums on which, intentionally, the selling point is the laundry list of co-stars, which is formidable: Jeff Beck, Andrea Bocelli, Bono (as a songwriter), Solomon Burke, Vanessa Carlton (on piano), Eric Clapton, Sheryl Crow, Miles Davis, Haylie Ecker of Bond, Macy Gray, John Lee Hooker, B.B. King, Cheb Mami, Mexican group Maná, Dolores O'Riordan of the Cranberries, Luciano Pavarotti, Sting, and Paul Young. These luminaries join Zucchero to sing and play a batch of his songs (and sometimes co-write them), with many of the lyrics in English. Zucchero has one of those familiar gruff rock baritones, most reminiscent of Peter Gabriel, though it sounds at times like Joe Cocker and even ascends into a Sting-like tenor. The music is mostly also familiar, bearing the trappings of Euro-American classic rock balladeering in a manner that ruled adult contemporary radio for much of the 1980s and '90s. It's no wonder that the album is a co-production of the Concord label, known for its classy jazz catalog but lately branching out into pop, and Hear Music, the recording arm of the Starbucks Coffee company. It's easy to imagine this music playing at a low volume in the nearest Starbucks coffee shop and intriguing patrons who recognize the voice of Sheryl Crow or a guitar lick by Eric Clapton and wonder where it comes from. And that's appropriate, since this album is as much a marketing concept as it is a musical one.

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