Stax Profiles: Albert King

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Stax Profiles: Albert King album cover
Album Information
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Total Tracks: 11   Total Length: 54:08

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The Cincinnati Blues Sound

By John Morthland, eMusic Contributor

To the best of my knowledge, nobody has ever made a good case for a Cincinnati blues sound, but the Queen City was no stranger to the blues. A rough-hewn, urban backwater on the banks of the Ohio River (which is also the Kentucky state line), Cincinnati is arguably the most southern city to find itself misplaced north of the Mason-Dixon line, and as home to King Records played occasional host to a variety of… more »

They Say All Music Guide

As part of the Stax Profiles series, blues guitarist Albert King is spotlighted with material recorded in the late ’60s and early ’70s for the Memphis-based label. Since this midline compilation only contains 11 cuts, it’s easy to dwell on what was left off. For instance, where is “Laundromat Blues,” “Cross Cut Saw,” “The Hunter,” “Blues Power,” “Phone Booth,” or “Personal Manager”? Gathering the hits wasn’t what Fantasy Records executive and Albert King fanatic Bill Belmont had in mind when selecting these tracks. Although previously released, a few of these cuts are slightly different or expanded, such as the full-length “I’ll Play the Blues for You, Pts. 1-2″ backed by the Bar-Kays; a live version of “Don’t Throw Your Love on Me So Strong” recorded at the Fillmore Auditorium in 1968; and “She Caught the Katy and Left Me a Mule to Ride,” a track popularized by the Blues Brothers, who introduced it to a younger audience. Without a doubt, the main jewel of this set is the previously unreleased version of “Born Under a Bad Sign” recorded on December 6, 1983, and featuring King disciple and then up-and-coming guitar legend Stevie Ray Vaughan. For whatever reason, this version was left off the King/Vaughan collaboration In Session. – Al Campbell

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