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Calling Me Home: Songs Of Love And Loss

Rate It! Avg: 4.0 (6 ratings)
Calling Me Home: Songs Of Love And Loss album cover
01
Calling Me Home
2:37 $0.99
02
Farewell My Home
4:32 $0.99
03
Girl Of Constant Sorrow
5:18 $0.99
04
Old Virginia Hills
4:16 $0.99
05
Galax Waltz
2:31 $0.99
06
When I Stop Dreaming
3:15 $0.99
07
The Little Dove
4:36 $0.99
08
When My Ship Came Back To Shore
4:35 $0.99
09
Memories Of Mother And Dad
3:12 $0.99
10
Weary Blues From Waiting
3:40 $0.99
11
Another Cheater (Just Lost The Game Again)
2:56 $0.99
12
Worn Out Getting Wise
3:13 $0.99
13
If I Play With Fire
2:45 $0.99
14
Skipping School
2:20 $0.99
15
Lone, Lonesome Way
1:33 $0.99
Album Information

Total Tracks: 15   Total Length: 51:19

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Outstanding collection!

farawayhills

Alice Gerrard is one of the greats, and this collection does justice to her versatility. Tracks 1,2,5,8,11,13 and 15 are Alice's own compositions, and the others range from traditional songs to reworkings of numbers by some classic Country artists. Highlights include the opening track (an "a capella" duet with Brad Leftwich about the parting of friendships through death); a fine arrangement of the traditional "Man/Girl of Constant Sorrow"; the ballad-style "Little Dove" and versions of Hank Williams "Weary Blues from Waiting" and Jean Ritchie's "Long Lonesome Way". With help from some stellar guests, this collection is not to be missed by fans of the genre.

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They Say All Music Guide

While Alice Gerrard is well known in traditional music circles thanks to her pioneering work with Hazel Dickens and her editorship of The Old-Time Herald, no one can accuse her of over-recording. Her last solo album, after all, was Pieces of My Heart, released in 1996. Calling Me Home, then, is a welcome addition of what one has come to expect from Gerrard’s slender catalog: sensitive readings of old-time classics against a backdrop of spare acoustic music. The success of a song like “Old Virginia Hills” doesn’t come from a radical new approach, but from the simplicity of Gerrard’s down-to-earth vocal, the guitar and mandolin backing, and the presence of singer Brad Leftwich on the choruses. To borrow an overused term, the results sound natural. On occasion, Gerrard steps away from strict old-time to deliver slightly more modern fare, though it’s unlikely that anyone but the strictest traditionalist will notice. There’s a great version of the Louvin Brothers’ “When I Stop Dreaming” and a bluesy take on Hank Williams’ “Weary Blues from Waiting.” Within the context of the vocals and instrumental work, however, one would never mistake either song as ’50s-styled country music. While Gerrard’s tendency to record sporadically may be connected with the excellence of the albums she releases, Calling Me Home will leave listeners wishing they were more frequent. – Ronnie D. Lankford, Jr.

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