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Songbook

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Songbook album cover
01
Introduction
0:55
$1.29
02
It's Raining
3:58
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03
Lipstick Traces
2:05
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04
Allen Speaks
0:39
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05
Brickyard Blues
3:30
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06
With You In Mind
3:32
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07
Who's Gonna Help Brother Get Further
4:10
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08
Sweet Touch Of Love
1:58
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09
Holy Cow
3:02
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10
Introduction To Get Out Of My Life, Woman
0:12
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11
Get Out Of My Life, Woman
3:01
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12
Freedom For The Stallion
4:12
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13
St. James Infirmary
2:23
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14
Introduction To Shrimp Po-Boy, Dressed
0:12
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15
Shrimp Po-Boy, Dressed
3:17
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16
Soul Sister
2:41
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17
All These Things
3:43
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18
We Are America / Yes We Can
4:06
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19
The Optimism Blues
2:51
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20
Old Records
3:39
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21
Certain Girl Medley: Certain Girl / Mother-in-Law / Fortune Teller / Working In The Coal Mine
3:15
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22
It's A New Orleans Thing
3:07
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23
I Could Eat Crawfish Everyday
2:37
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24
No Place Like New York
2:27
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25
Southern Nights
13:01
Album Information
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Total Tracks: 25   Total Length: 78:33

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eMusic Review 0

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Britt Robson

eMusic Contributor

Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

09.24.13
Capturing the charm and sporadic magic of two gigs at Joe's Pub
2013 | Label: New Rounder

Composer-pianist Allen Toussaint invented New Orleans rhythm-and-blues as much as anyone on the planet with his homespun songwriting, arranging and overall studio wizardry from the late 1950s onward — and true to the spirit of his Crescent City, it was expertise laced with amiability. Flooded out from his home by Hurricane Katrina, Toussaint relocated to New York City and began a regular gig at Joe’s Pub, which is where Songbook was recorded over two nights in 2009. The album captures the charm and sporadic magic of this odd interlude; Toussaint at 71 playing a well-honed nightclub show in a bare-bones setting, a transplanted producer with just his voice, his piano and his long and durable catalog of tunes.

Toussaint’s dignified yet unpretentious personal style extends to his music. Crooning, melisma and smooth shifts in rhythm are deployed sparingly but to maximum effect in his vocals, so that even the quasi-novelty tunes he turned into hits with Lee Dorsey nearly 50 years ago (“Holy Cow,” “Working In A Coal Mine”) don’t clash with his versions of poignant ballads he minted for Irma Thomas (“It’s Raining”), Etta James (“With You In Mind”) and Esther Phillips (“Sweet Touch of Love”). And his piano work… read more »

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