In Real Time

Any time you invite Evan Parker to perform in a small group, you can expect the unexpected, particularly considering the unusual instrumentation of this talented trio, which includes soprano and tenor saxes, percussion, synthesizer, and piano, among others. At this point in his career, Parker’s technique was still imbued with shock value, and there is an exuberance to his playing and even a certain roughness that have dissipated somewhat with time as his playing has matured. The emphasis here is on sound, with the pieces freely improvised and melody nonexistent. Andrea Centazzo serves a supporting role, his presence sometimes negligible. At his best, Centazzo drums powerfully and passionately, proving himself a worthy member of the team. Alvin Curran has always expressed his radical electronics in a subtle manner, and his contribution here is no exception, though his electronic manipulations will often be barely noticeable to the casual listener. There is an atmospheric ambience to much of the music, although with these players it is never quite so simple. At first the tempos tend to the slow side, and the volume is rarely very loud, but there is nonetheless an intensity fueled by Parker’s extended techniques, particularly on the fourth, fifth, and sixth tracks where the temperature picks up considerably. While devotees of Parker should be satisfied with his performance, what distinguishes this from his other work are the performances of Curran and Centazzo, with whom Parker interacts passionately. Curran’s piano on the last track is a special pleasure, too, as he performs with little restraint and considerable technique. While definitely not an indispensable part of the discographies of any of the players, there are enough exciting and innovative moments to satisfy the demanding listener. – Steve Loewy