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Dimanche a Bamako

Rate It! Avg: 4.5 (15 ratings)
Dimanche a Bamako album cover
01
M'bifé
2:11 $0.99
02
M'bifé
1:59 $0.99
03
Coulibaly
3:18
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La Réalité
3:33 $0.99
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Sénégal Fast-Food
4:19 $0.99
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Artistiya
3:12 $0.99
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La Fête au Village
4:12 $0.99
08
Camions Sauvages
4:09 $0.99
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Beaux Dimanches
3:31
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La Paix
4:18
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11
Djanfa
4:14 $0.99
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Taxi Bamako
3:44 $0.99
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Politic Amagni " La politique, c'est pas bon "
4:56 $0.99
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Gnidjougouya
3:46 $0.99
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M'bifé blues
5:19 $0.99
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La Réalité
3:49 $0.99
Album Information
EDITOR'S PICK

Total Tracks: 16   Total Length: 60:30

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eMusic Review 0

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Sam Adams

eMusic Contributor

Sam Adams writes for the Los Angeles Times, the Philadelphia Inquirer, the Onion A.V. Club, Time Out New York, Time Out Chicago, Cowbell and the Philadelphia Ci...more »

07.21.11
Practicing the unity they preach
2005 | Label: Nonesuch

With their 2005 album, the Malian duo of Amadou Bagayoko and Mariam Doumbia vaulted out of the world music arena and into the mainstream, putting them on a road that eventually found them sharing stages with the likes of U2 and Coldplay. Omnivorous producer Manu Chao, who also wrote or co-wrote half of the album’s songs and sings on his several, makes his presence felt with touches like the ska horns on “Djanfa,” but the most important thing he brought to the table was his name, which was prominently featured in the cover art. Dimanche isn’t markedly more commercial, let alone Westernized, than the songs featured on Je pense à toi, but it took the reflected glare of Chao’s stardom to get people to hear what they’d been missing.

Bagayoko and Doumbia, a married couple who met at Mali’s Institute for the Young Blind, had been singing together for more than two decades before most of the English-speaking world, and their songs reach even further back, but they’re hardly traditionalists. Bagayoko has proclaimed his love for the guitar playing of Pink Floyd’s David Gilmour, and traces of rock, soul, blues, jazz and even a smattering of hip-hop are woven… read more »

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Tres bien!

DJenr8

I really liked Amadou et Mariam before this recording came out but Manu Chao's touch transforms this into one of my all time faves!

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They Say All Music Guide

Amadou & Mariam, the blind couple from Mali, have certainly paid their dues over the last 30 years, and it’s about time they received their big break. Certainly given the excellent reviews in Europe, Dimanche a Bamako could be it, thanks to the production and participation by the elf prince of world music, Manu Chao. He brings a playful lightness to their soulful, bluesy Malian sound, letting in plenty of sunshine, and drawing in a sense of place through the ambience of traffic sounds and snippets of conversation. Chao is also obviously present on several tracks, such as “Senegal Fast Food,” which offers a bouncy, reggae-styled rhythm so typical of Chao’s own records. But even when not so obviously asserting himself, his presence is felt in the space he creates, and the use he makes of Mariam’s admittedly limited voice (she’s good, but no one will ever mistake her for one of the word’s greatest singers), as on “Beau Dimanche,” for example. Lyrically, this is very much an album of love songs, postcards between the couple, but it never veers into maudlin sentiment. Yet there’s also a political edge to it, such as with “La Realite.” Even if you don’t understand the words, however, the entire disc is an absolute aural joy, poppy enough to be exquisitely memorable, yet with layers of resonance underneath. Likely to be one of the world music albums of 2005, it can hopefully find the kind of wide audience it surely deserves. – Chris Nickson

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