Sad Girl

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Sad Girl album cover
Album Information
EDITOR'S PICK

Total Tracks: 12   Total Length: 40:25

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Life gets better?

Ole'rustyrocks

Life must get better after this? I think Amy is a great song writer and her voice really gets to me, creaky like a cracked bell but true and emotive at the same time. however if you're feeling down this one ain't going to help!

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Incredible voice, for those that like such things

BarmyFotheringayPhipps

Amy Allison has the most deliciously whiny voice in alt-country. She's like a female Jimmie Dale Gilmore. Except she's hot.

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Sad girl, indeed

Horace Tidas

It might take a few listens to get used to, but Amy Allison's voice fits her sad, haunting lyrics perfectly. See also Amy's dad, Mose Allison.

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Mose Allison: The Hipster from Tippo

By Kevin Whitehead, eMusic Contributor

"My brain is always ticking, my brain," Mose Allison sings to the tune of "This Train," kicking off 2010's The Way of the World. That brain's always been fully engaged in his process, but now that he's in his early 80s, you could forgive him the boast. Since he started singing, he's had a way with a wryly observational lyric, married to an equally breezy, bluesy tune. The Way of the World is typical Mose,… more »

They Say All Music Guide

Sad Girl not only is the title of Amy Allison’s second solo album, but it’s also an apt description for her music. The follow-up to her 1996 debut (the also-appropriately named The Maudlin Years) is filled with songs sufficed in sadness and heartache. She opens the disc singing: “I’m listless and lonesome and I don’t know what to do/There was a time when I lived only for you/But where have you gone to, you’re nowhere to be found.” And the rest of the songs find her sorting over troubled relationships, from being deceived (“One Thing in Mind” and “Everybody Thinks You’re an Angel”) to being deserted (“Where Did You Go?” and “Do I Miss You?”). Most of the tunes are performed in a spare, plaintive country style that compliments the songs’ soul-bearing nature. Allison does shift away from her forlorn tunes of wronged women midway through the disc with “Shadow of a Man” and “Sad State of Affairs.” The former is a comic, honky tonkin’ rocker about a man getting embarrassingly drunk at a wedding, while the latter is a old-fashioned country lament that finds the woman, not the husband, as the cheating spouse. These two songs demonstrate that Allison is not always the victimized girl who “can start crying without even trying.” Although her unique nasally, twangy vocal style — suggesting a mix of Iris Dement and Victoria Williams — is something of an acquired taste, it well-suits her mournful lyrics. This disc as well is something of an acquired taste. Like Lucinda Williams’ Essence, the confessional, melancholic songs here dwell deeply in despair, which can be hard to take, but Allison pens such emotionally stirring songs that the listener can’t help but be moved. – Michael Berick

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