Digging Me, Digging You

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Digging Me, Digging You album cover
Album Information

Total Tracks: 13   Total Length: 47:21

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Britt Robson

eMusic Contributor

Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

02.07.12
A marvelous tribute to a true original, finding sophistication in kitsch
2012 | Label: Anzic / Entertainment One Distribution

Vocalist Blossom Dearie was an American original who amassed a distinctive repertoire by choosing — and also eventually writing — material that balanced Tin Pin Alley, Broadway and intimate cabaret piano jazz. As a singer, Dearie (who died in 2009 at the age of 83) possessed refined intonation, a sly sense of swing and playful phrasing — gifts she frequently combined with a Cupie-doll affectation (partially borne of her limited range) that helped nudge her more fancifully humorous tunes into novelty territory.

Although Dearie die-hards will likely disagree, Amy Cervini has distilled the strengths and siphoned off the weaknesses of the Dearie method in her marvelous tribute, Digging Me Digging You. She’s the right person for the job, possessing her own slightly girlish style and a heartfelt appreciation for Dearie’s catalog – she led off her last album with a Dearie song.

Cervini covers songs from throughout Dearie’s career here, from the ’50s through the ’80s, and tellingly chooses two Dearie originals — “I Like You, You’re Nice,” and “I’m Shadowing You,” both romantic paeans from a would-be stalker — that showcase her wry, humorous sophistication beneath the kitsch. Yet Cervini’s interpretations through Digging allow for more complexity and creativity from her… read more »

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Nice voice, good band, some intonation issues

tlane47

I'm not saying anything Amy doesn't already know. Amy has a very nice voice and her band is quite good, but not outstanding. Some of the tunes are just good, not outstanding, and Amy has some pitch issues with a few of the tunes. It's an excellent effort for a semi-pro and it's sweet, but it's not ground-breaking in any way I found. If I came across Amy and her band in a restaurant, I wouldn't be bummed, because they aspire to greatness, but they haven't reached it yet with this album. Amy's definitely not a pouser, but probably should have cut a few tracks yet again for the album.

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