Tell It To The Dust

Rate It! Avg: 4.0 (63 ratings)
Tell It To The Dust album cover
Album Information

Total Tracks: 12   Total Length: 53:21

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Not what I hoped for...

joelikesgoodmusic

I downloaded this album because of the song "Keep Me Hanging On." Heard the song on a sampler and was impressed with it's simplicity and reservation. I'm not crazy about the rest of the album... but that song is worth 5 downloads so I guess you can't go too wrong.

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Good and Catchy, It Will Grow On You

tintinnabulary

Well, the recommendations by emusic.com occasionally work, too. While most of my "recommended based on your downloads or ratings" list is usually baffling, I've found out I really like this guy. Although these cuts are not anything groundbreaking or experimental, they are simply good and catchy songs, ranging from rocking ones ("Into The Sun") to more quiet, vulnerable reflections ("Feel The Same", "Innocents"). Also try the title track and "Go Alone". Here's my recommendation: if you like them, you might as well go and download the rest too. Even the ones with less obvious hooks will grow on you.

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They Say All Music Guide

After recording four albums under the moniker Varnaline (a band seemingly comprised of whomever he felt like working with at the time), Anders Parker finally steps out from behind his alter ego for his first solo album, Tell It to the Dust, and truth be told it isn’t all that different from what he’s been doing all along. Tell It to the Dust leans a bit harder on Parker’s pop influences than 2001′s Songs in a Northern Key, but given the man’s talent for writing smart but compelling hooks, that’s a good thing, and his guitar work splits the difference between melodic warmth and aggressive crunch with skill and intelligence. Parker handles most of the instrumental chores here (though a few friends stop by to help, including Jay Farrar of Son Volt and Sara Bell from Shark Quest), and his traditional blend of the fractured melodic wanderlust of indie rock and the roots-friendly vibe of Americana continues to inform these songs. The graceful sway of “Don’t Worry Honey, Everything’s Gonna Be Alright,” the patent meditation of “Innocents,” and the muscular hookiness of the title cut and “Goodbye Friend” prove that Parker’s muse wasn’t letting him down on these sessions, and this set ranks with his strongest work to date. While Tell It to the Dust doesn’t sound like an especially more personal or revealing set than Parker’s albums as Varnaline, it’s good enough that one can understand why the man didn’t feel like hiding behind a pseudonym, and with songs this good, the man has the right to crow a little. – Mark Deming

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