Nature Of The Beast

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Nature Of The Beast album cover
Album Information
  • Artist: April Wine (See All Albums by April Wine)
  • Date Released: Jul 8, 1991

  • Genre: Rock/Pop, Style: Classic Rock, Rock

  • Label: CAPITOL

Total Tracks: 11   Total Length: 37:22

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I liked it then...

Eat2surf

... and I enjoy it now. Every now and again I would type "April Wine" into the e-music search to no avail. I wasn't sure why I wanted it. Sure, I liked it then. I liked the laser sounds of being "Caught in The Crossfire", the lament of "Just Between You and Me" ... "Sign of the Gypsy Queen" ... So I downloaded the whole album... and lo and behold... it still holds up. I didn't want to move... or get out of bed.. that rock and roll went straight to my head ... Like any quality wine, April Wine is aged but not old. Enjoy!

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stands the test of time

KfuMike

This is one of the few albums from my early high school heavy metal days that I can still sit down and listen to without cringing and saying to myself "how the hell could I have listened to this?!" (I'm talking to you Triumph!) Some of the songs are very dated - "Caught in the Crossfire" could have been on a Hasbro commercial for 'The Empire Strikes Back' figures - But most are pretty good - almost indie rock sounding for the time. Thanks Canada.

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They Say All Music Guide

April Wine (like any good wine) got better with age, and the Canadians’ brightest moment only arrived over a decade into their career with 1981′s The Nature of the Beast. Opener “All Over Town” lurches into action on a lopsided riff before finding its awesome groove, — a groove they seldom abandon through and to the end of the disc. All-around frontman Myles Goodwyn is in top form, leading the band through some of their most aggressive material ever (“Bad Boys,” “Crash and Burn”), as well as through the band’s career-defining power ballad “Just Between You and Me.” While “Caught in the Crossfire” and “Future Tense” suffer from some cheesy sci-fi lyrics, melodic hard rockers such as “Big City Girls,” “One More Time,” and “Sign of the Gypsy Queen” (featuring Thin Lizzy-like dual guitar harmonies) pick up the slack in spades. – Eduardo Rivadavia

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