Left Alone Revisited

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Left Alone Revisited album cover
Album Information
EDITOR'S PICK

Total Tracks: 10   Total Length: 56:03

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Archie Shepp *AND* Mal Waldron: a double feature!

BFlat

Mal knew how to disappear or step forward as the situation called. Look at how many of the greats he backed. Always so tasteful in a terse economy of notes that said more than many a machine gunner of notes could reckon. But then there's Arhie Shepp. Holy smokes! The guy could do anything. He has played with, well everyone it seems. This CD of his runs out of the speakers like a high order transmutation of Billie Holiday, pulled from starlight by Mal's fingers and Arhie's tenor. A luminary, no two luninaries of giant proportions who enriched the world with their wit, genius, and that unmistakable sound, phrasing and presence. Listen to what is in my book, one of the most memory resident versions of Easy Living. You will hear Archie playing this in your mind's ear for the rest of your life. What a gift. Thanks Archie and Mal where ever you are out there in the cosmos.

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very good tracks

Thader

wonderful... ; so sweet and lazy

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They Say All Music Guide

Mal Waldron’s first tribute to Billie Holiday, titled Left Alone, was recorded in 1959, mere months before the singer’s death. He returned to salute the legendary vocalist on several occasions since then, with this CD likely being his final tribute, recorded less than a year before his own death. Waldron, who worked with Holiday during her last years, is intimately familiar with her takes of the six standards heard on this disc, along with her own “Lady Sings the Blues.” Archie Shepp’s often gritty tenor sax is reminiscent of the texture of Holiday’s voice, yet he perfectly complements Waldron’s lush piano. They also pack a punch with their stark performance of “Left Alone” (Shepp’s occasional reed squeaks seem deliberate, as if to imitate breaks in her voice). Waldron also recites Holiday’s lyrics set to his composition at the conclusion of the CD. Shepp switches to soprano sax for an emotional take of “Everything Happens to Me” and “I Only Have Eyes for You,” with the latter song sounding as if the unheard singer is being ignored by her love interest. Shepp’s “Blues for 52nd Street” is both sassy and swinging. This instrumental salute to Billie Holiday is one of the best albums ever to honor her memory. – Ken Dryden

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