Qualquer

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Total Tracks: 14   Total Length: 51:03

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Peter Margasak

eMusic Contributor

Peter Margasak has been a staff music writer at the Chicago Reader, where he covers everything from jazz to world music to country, since 1995. He's also a regu...more »

04.22.11
One of MPB’s most progressive contemporary figures tries on restraint for size.
2007 | Label: Biscoito Fino / IODA

Although he's a veteran of Brazilian music, making records as a member of the rock band Titãs and on his own since the early '80s, Arnaldo Antunes didn't gain exposure outside of his homeland until he participated in the wildly successful Tribalistas project with Marisa Monte and Carlinhos Brown. That one-off partnership loudly announced his songwriting prowess, a readily apparent quality on his own records or in covers by Jorge Ben, Margareth Menezes or Adriana Calcanhotto. Qualquer is his most restrained, stripped-down recording; it's not exactly unplugged, but it's completely free of drums, which allows the catchy prettiness of his melodies to emerge freely. He's one of MPB's most progressive contemporary figures, but here the experimental impulses seem limited to the ubiquity of Edgard Scandurra's talkbox guitar, which ultimately provides a fittingly odd complement to the tunes. As usual Antunes delivers his pithy tunes in a voice alternately deep and almost froggy, and one that's clear, naturalistic and sharp. It's hard not love both of them.

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MalucoBeleza!!!

KIKE

Esse cara é muito louco...

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Cabeça...

AmilcarHenrique

Musica cabeça de um cara cabeça pra caraio...Tem nego que gosta...

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They Say All Music Guide

On Qualquer, Arnaldo Antunes drifts even further away from the rock and pop sound that made him famous as the frontman of Titãs during the 1980s. Qualquer has a calm, simple, and down-to-earth sound that soothingly floats along in the boundaries between bossa nova and singer/songwriter-styled folk music. No percussion is used on the album, as Antunes is backed by the musical quintet of Cezar Mendes and Chico Salem (both on acoustic guitar), Edgard Scandurra (electric guitar), Dadi Carvalho (bass), and Daniel Jobim (piano). The opening track, “Para Lá,” written by Antunes together with Adriana Calcanhotto, sets the tone of the album and is also one of its highlights. There are also collaborations with Carlinhos Brown (on “Lua Vermelha” and “Sem Você”) and Marisa Monte (on “O Que Você Quer Saber de Verdade” and “Contato Imediato”). For the first time Antunes also presents versions of “Não Sou da Sua Rua” and “As Coisas,” two of his own compositions that were recorded in the early ’90s by Marisa Monte and Gilberto Gil, respectively. “Acabou Chorare” is an elegant cover of an old song by Morães Moreira and Galvão. Antunes singing is very low-voiced, almost timid sounding, and his characteristically unorthodox and humming voice lends the music an unstudied and ingenuous air. – Philip Jandovský

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