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A Time For Love

Rate It! Avg: 4.5 (26 ratings)
A Time For Love album cover
01
Aprés un Reve
5:08
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02
Emily
4:26
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03
Speak Low
4:36
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04
Estate
3:59
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05
A Time for Love
5:04
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06
Pavane Pour Une Infante Defunte (Pavane for a Dead Princess)
5:13
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07
I Loves You Porgy
5:15
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08
Oblivion (How to Say Goodbye)
5:24
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09
Pavane
4:51
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10
Smile
4:00
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11
All the Way
4:03
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12
Smoke Gets in Your Eyes
4:21
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13
Windmills of Your Mind
5:32
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14
Every Time We Say Goodbye
5:54
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Album Information
EDITOR'S PICK

Total Tracks: 14   Total Length: 67:46

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eMusic Review 0

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Britt Robson

eMusic Contributor

Britt Robson has written about jazz for Jazz Times, downbeat, the Washington Post and many other publications over the past 30 years. He currently writes regula...more »

05.11.10
Sandoval lets his passion smolder without succumbing to mawkish sentiment
2010 | Label: Concord Jazz

Trumpeter Arturo Sandoval has always been willing and able to blow all the petals off the hothouse flowers. Sandoval's crowd-pleasing high-notes and other technical hijinks have actually obscured (his critics would say stunted) his emotional and conceptual command. Whatever the reason, the maestro who has credibly scored his own life story, showcased the history of jazz trumpet by accurately emulating all the icons track by track, and even issued a piano record similarly regarded as brilliant by some and fulsome by others, has always seemed less than the sum of his protean solos.

A Time For Love won't silence all his detractors, but it is hard to gainsay the immaculate restraint and buttery tone he applies to a series of ballads that range from challenging classical works by Faure and Ravel to American Songbook staples by the Gershwins and Cole Porter. Backed by a full orchestra and the arrangements of Grammy winner Jorge Calendrelli on most tracks, and a trio and a smattering of guest stars — fellow trumpeter Chris Botti, pianist Kenny Barron, vocalist Monica Mancini — on a few others, Sandoval lets his passion smolder, with a grandiose tonality that puts the strings in context… read more »

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They Say All Music Guide

Arturo Sandoval is a true maestro: despite his reputation as a bop-based trumpeter who plays jazz inspired by his native Cuban tradition, he has delved deeply into tango, swing, and electric jazz in his long career. He is also a fine pianist and percussionist. That said, the notion of him recording a collection of classical pieces, standards, and ballads with a trio and a string orchestra as backing is more than a bit of a surprise. Nonetheless, that’s what A Time for Love basically is. Sandoval claims that this is the realization of a 20-year dream. He wanted it bad enough to make and release the record himself, but fate stepped in. Pianist Shelly Berg heard the demos and brought him to Concord’s Greg Field, who in turn brought in Grammy-winning arranger Jorge Calandrelli. They co-produced while Calandrelli arranged eight of the nine string charts — Berg arranged the other and brought in his trio to back up Sandoval.
The classical readings include Fauré’s “Aprés un Reve” and “Pavane,” Ravel’s “Pavane Pour une Infante Defunte” (with Chris Botti on second trumpet), and Astor Piazzolla’s “Oblivion” (with Monica Mancini on vocals). All reveal the emotional depth of Sandoval’s playing, not just his technical acumen. While his fiery jazz playing can emote, it is often overshadowed by his expertise. Here, it is softness and tenderness without sentimentality that speak to the listener. The standards such as “I Loves You Porgy,” the shimmering swing in “Speak Low,” and the deep romance in the Johnny Mandel-Johnny Mercer classic “Emily” seemingly come from the vocal jazz tradition. Yet in them one can readily hear what Sandoval claims are his two greatest inspirations for this album: trumpeter Bobby Hackett’s playing with the Jackie Gleason Orchestra, and the album Clifford Brown with Strings. The musical economy of those influences is reflected in the emotional weight and complex lyrical dimension carried in each note by Sandoval; the arrangements serve to heighten that revelation rather than overtake it. There are two very satisfying bonus tracks included as well, “The Windmills of Your Mind,” a stellar duet with Berg, and Cole Porter’s “Every Time We Say Goodbye,” with Kenny Barron guesting on piano. It’s tempting to call A Time for Love Sandoval’s masterpiece, but that is based on the sharp contrast with virtually everything else in his catalog; only time will reveal whether or not it is. For now, what is certain is that it is one of them. – Thom Jurek

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