Number 1's

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Album Information
  • Artist: Barry White (See All Albums by Barry White)
  • Date Released: Sep 15, 2009

  • Genre: Hip-Hop/R&B, Style: Soul, R&B

  • Label: HIP-O

Total Tracks: 17   Total Length: 71:42

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Barry Walters

eMusic Contributor

12.10.10
Soul's amorous answer to prog rock
2009 | Label: HIP-O

He was several shades darker than most crossover stars and more than a few pounds heavier. But Barry White became the most unlikely sex symbol of the 1970s because his records were devoutly sensual in an otherworldly way: They moaned and swelled as if beamed down from a heart-shaped waterbed on Venus. Isaac Hayes's low-voiced love raps and jazz-inspired synthesis of sweet melody and tangy rhythm undoubtedly paved the way, yet White took the symphonic trip of Hayes and MFSB to another level of sublime excess on progressively more disco-conscious hits. If Philadelphia International's records featured some 30-odd musicians playing at once, White seemed to boast two or three times that. Appropriately generous titles like "I'm Gonna Love You Just a Little More Baby," "Never, Never Gonna Give You Up," "Can't Get Enough of Your Love, Babe" and "You're the First, the Last, My Everything" are soul's amorous answer to prog rock. Instead of topographical oceans and brain salad surgery, this Texas-born Angeleno celebrated love and little else.

Not only a solo superstar, White also oversaw his girl group Love Unlimited, which fronted his first hit with its 1972 single "Walking in the Rain with the One I Love," as… read more »

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They Say All Music Guide

Since the success of the Beatles’ 1 album in 2000, the concept of compiling a collection of an artist’s number one hits has been another way of getting at the “greatest-hits” package. Of course, not many artists have an album’s worth of legitimate number one hits. Barry White does, by a liberal interpretation that includes all three of the trade magazines current in his era — Billboard and the now-defunct Cash Box and Record World — and all of the charts those publications assembled, as well as all of White’s projects, including his solo recordings, his instrumental ensemble the Love Unlimited Orchestra, and the female vocal trio he produced and wrote for, Love Unlimited. Add in the 1990 song “The Secret Garden (Sweet Seduction Suite),” credited to Quincy Jones Featuring Al B. Sure!, James Ingram, El DeBarge, and Barry White, and you have 12 hits dating back to 1973′s “Love’s Theme” by the Love Unlimited Orchestra and up to 1994′s “Practice What You Preach.” For good measure, the set adds five “Bonus Tracks: #2′s and More,” for a 72-minute running time. Actually, including the different White efforts improves the album by giving it some measure of diversity. A White hits album that simply presented his solo hits one after another would tend to emphasize their similarity as, in song after song, his deep bedroom voice murmured pillow talk, leading to a creamy chorus of more romantic blandishments spoken in ‘70s slang. Here, those tracks are broken up somewhat by the instrumentals and contrasting vocals. Still, it’s a remarkable run. White may have had only one thing to sell, but he found different ways to package it, and this album presents the highlights of his repertoire on a single disc. – William Ruhlmann

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