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The Inquirer: Original Motion Picture Scores & Soundtracks

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The Inquirer: Original Motion Picture Scores & Soundtracks album cover
01
Celluloid Fanfare I
0:52
02
Citizen Kane - Suite, The Inquirer
6:54
03
Citizen Kane - Theme & Variations (Breakfast Montage)
3:20
04
Citizen Kane - Salaambo's Aria
4:26
05
The Magnificent Ambersons - Theme & Variations (I-V)
6:26
06
The Magnificent Ambersons - First Nocturne
4:06
07
The Magnificent Ambersons - Second Nocturne
3:21
08
Day The Earth Stood Still - Lincoln Memorial
1:22
09
Day The Earth Stood Still - Arlington Cemetary
1:47
10
The Kentuckian - Suite
19:28
11
Williamsburg, The Story Of A Patriot - Overture (Exit Music)
2:40
12
Night Digger - Suite
11:41
13
Battle Of Neretva - Prelude
2:36
14
Battle Of Neretva - Chetnik's March
1:49
15
Battle Of Neretva - Partisan March
1:33
16
Battle Of Neretva - Victory! (Finale)
2:39
17
Sisters - Cake Death
3:37
Album Information

Total Tracks: 17   Total Length: 78:37

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Dark and Foreboding

jim_low

Recording quality is fair, Performance-good. Material is Dark and Foreboding with little reprieve. 3 stars is about right.

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They Say All Music Guide

This is a supremely delightful compilation of Bernard Herrmann’s music from the Preamble catalog, assembled together in chronological order. From the upbeat, rousing strains of the relevant parts of the Citizen Kane score (whence the CD takes its name, as the name of Kane’s first newspaper acquisition), through the aria from Salaambo in the Susan Alexander section of the movie, you progress to the wistfully nostalgic music from The Magnificent Ambersons. The similarly textured elegiac sections of the score from The Day the Earth Stood Still are followed by the nearly 20-minute long suite from The Kentuckian. Then comes the rarest piece of music on this disc, Herrmann’s exit music for the short film — to be shown in Colonial Williamsburgh — called Williamsburgh: The Story of a Patriot, which is written in a festive 18th century style that seems to come from a place not far from his subsequent score for The Three Worlds of Gulliver. Most of the second half of this disc, however, simply reprints material that was on Label X’s old Bernard Herrmann at the Movies collection, consisting of his own recordings of music from Battle of Neretva, Sisters, and Night Digger. It’s an enjoyable compilation, well mastered (and very thoroughly annotated), and full of enough surprises to keep even longtime fans of the composer on their toes. – Bruce Eder

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