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Big Sur

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Big Sur album cover
01
The Music of Glen Deven Ranch
3:45
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02
Sing Together Like a Family
4:21
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03
A Good Spot
0:52
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04
Going to California
3:16
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05
The Big One
2:43
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06
Somewhere
1:31
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07
Gather Good Things
5:31
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08
Cry Alone
3:15
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09
The Animals
1:39
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10
Highway 1
4:51
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11
A Beautiful View
4:04
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12
Hawks
4:39
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13
We All Love Neil Young
1:37
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14
Big Sur
3:05
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15
On the Lookout
2:01
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16
Shacked Up
4:11
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17
Walking Stick (for Jim Cox)
4:10
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18
Song for Lana Weeks
4:13
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19
Far Away
4:35
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Album Information

Total Tracks: 19   Total Length: 64:19

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eMusic Review 0

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Dave Sumner

eMusic Contributor

Years of immersion in modern jazz music has left Dave Sumner incapable of interacting with normal society. Out of pity as much as anything else, he was asked to...more »

06.21.13
Strange and beautiful music from an artist who has made a career from creating it
2013 | Label: Okeh

Guitarist Bill Frisell has spent a career making strange and beautiful music, following creative paths that connect genre points that include jazz, but often travel far and wide from that spot. Over the last handful of years, he’s settled into a sort of jazz Americana, an inventive blend of jazz, folk, and rock that has allowed his singular voice to reach a full bloom.

On Frisell’s newest release, Big Sur, he features a new lineup (his Big Sur Quintet), which pulls together members of his 858 Quartet and Beautiful Dreamers trio — violist Eyvind Kang, violinist Jenny Scheinman, cellist Hank Roberts and drummer Rudy Royston — as part of a commission and residency in California’s Big Sur region. The resulting music isn’t a departure from recent Frisell albums, but it reflects aspects of each through Frisell’s focused inspiration in his natural surroundings.

At several moments in Big Sur a string quartet gives voice to captivatingly languid melodies, a sound typical to Frisell’s 858 Quartet 2011 release Sign of Life. But here, Frisell’s addition of drummer Royston provides the strings with a delightful counter-rhythmic element, instilling a tension that enhances, rather than shatters, the drifting serenity of the music.

And it’s not all… read more »

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Bill Frisell’s Pan-Americana

By Kevin Whitehead, eMusic Contributor

Bill Frisell, the singular and much admired/emulated jazz guitarist, is a case study in uncategorizability. As he's often said, in one form or another: First I was tagged as the ECM guy, then the downtown guy, then the Americana guy. In reality, those were all always the same guy. As early as the 1982 recordings for his debut on ECM, In Line - solos, overdubbed solos and duets with bassist Arild Andersen - there was this odd… more »