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Solos: The Jazz Sessions

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Solos: The Jazz Sessions album cover
01
Keep Your Eyes Open
4:46
$0.49
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02
Interview #1
1:47
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03
Throughout, Ron Carter
7:48
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04
Interview #2
1:10
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05
Boubacar
7:50
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06
Interview #3
0:41
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07
Shenandoah
11:09  
08
Interview #4
1:46
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09
Wildwood Flower, Poem For Eva
7:29
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10
Interview #5
1:09
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11
Masters of War
5:05
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12
My Man’s Gone Now
4:21
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13
I’m So Lonesome I Could Cry
4:01
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Album Information

Total Tracks: 13   Total Length: 59:02

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Solos: The Jazz Sessions

AnotherListener

Riggingguy is right. Most of us want to listen to music precisely because we're fed up with the blah blah blah of the world. Of course you can defend EMusic by saying it's all determined by computer algorithms, but is this really the way it should be? If EMusic cared about customer satisfaction they would have someone reading complaints like this and responding to them. There is a work-around short of deleting the offending tracks. ITunes, at least, makes it easy to rename tracks, so the interview portions can be culled from the music, and whenever Diamondking wants to lean back to some blah blah blah from Bill Frisell he can have a ball.

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Solos

DiamondKing

Hey Riggingguy - the length of the song determines whether it's "Album Only" - downloading the interviews has nothing to do with it. BTW, the whole album is pretty special and the interview bits are very cool anyway.

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Solos: The Jazz Sessions

jimmy99

Curious. Track 12 is labeled My Man's Gone Now, so I was surprised to hit play and hear a (sweetly prismatic) rendition of Mancini's The Days of Wine and Roses. So who mislabeled the track -- emusic or the record label?

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Solos

riggingguy

LAME!!!! Shenandoah only available if you download the interviews....Really?????

eMusic Features

0

Bill Frisell’s Pan-Americana

By Kevin Whitehead, Contributor

Bill Frisell, the singular and much admired/emulated jazz guitarist, is a case study in uncategorizability. As he's often said, in one form or another: First I was tagged as the ECM guy, then the downtown guy, then the Americana guy. In reality, those were all always the same guy. As early as the 1982 recordings for his debut on ECM, In Line - solos, overdubbed solos and duets with bassist Arild Andersen - there was this odd… more »