Brewing Up with Billy Bragg

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Brewing Up with Billy Bragg album cover
Album Information

Total Tracks: 22   Total Length: 68:36

eMusic Features

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Folk Goes Punk

By Peter Blackstock, eMusic Contributor

How exactly does one identify "folk-punk"? There's no easy answer, as different artists within the subgenre's horizons arrived at its intersection via different journeys. One could argue that Woody Guthrie was not only the original folkie but also the original folk-punker; look no further than the iconic photo of Woody with a guitar bearing the slogan "This Machine Kills Fascists." Boiled to its essence, folk punk is generally tradition-based acoustic music delivered with a forceful… more »

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Six Degrees of Entertainment!

By Ira Robbins, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

They Say All Music Guide

Bragg’s first full album delivers another clutch of memorable, clever songs. Here the rudimentary voice and electric guitar arrangements prevalent in Life’s a Riot With Spy Vs. Spy are refined and sweetened by occasional use of overdubbed vocals (“Love Gets Dangerous”), organ (“A Lover Sings”), and trumpet (“The Saturday Boy”); this last selection is a jaunty mid-tempo number about unrequited love that makes reference to the Delfonics’ “La-La Means I Love You.” Occasional 1950s influences surface on this album, most notably Bo Diddley in the jittery “This Guitar Says Sorry” and Chuck Berry in the bouncy “From a Vauxhall Velox” (which has the classic couplet “Some people say love is blind/But I just think that it’s a bit short-sighted”). In addition to songs about relationships, there are also pointedly critical numbers that deal with social/political issues; examples include “It Says Here” (a ringing gruff tune that lampoons the press) and “Island of No Return” (a gripping and angry antiwar song). This excellent release has been supplanted by Back to Basics, which combines this album with Life’s a Riot and Between the Wars into a single entity. – David Cleary

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