Billy Hart Quartet

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Billy Hart Quartet album cover
Album Information

Total Tracks: 9   Total Length: 66:59

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Searing and heartfelt

jazzerina

Billy Hart is a musician's musician. His compositions come from a place of deep heart, yet he manages to encapsulate the athleticism of rhythm just as naturally as if he were pumping his own blood through every nuance, which, in fact, he is. "Lullaby for Imke" is divine.

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One of the Best of This Year, Any Year

RBK1949

Billy Hart does not have a huge discography but his recordings are uniformly impressive. There's no clutter here, no stepping on toes, just intelligent and imaginative explorations that are far beyond the mundane. Pianist Ethan Iverson (Bad Plus), saxophonist Mark Turner, and bassist Ben Street are equals in the creative process. Iverson's solos are often surprising while Turner continues to show why he's such a singular voice on his instrument. Pay attention to how Hart well listens and leads. This unit should definitely be seen in person but this recording deserves your full attention.

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They Say All Music Guide

A veteran drummer who has recorded only sporadically as a leader, Billy Hart leads a group including two promising musicians from a later generation, pianist Ethan Iverson and tenor saxophonist Mark Turner, plus bassist Ben Street. Since this was a working band for some time prior to the making of Quartet, the musicians were already of one mind, rather than being thrown together and trying to make something out of brand new, unfamiliar charts. The opening piece “Mellow B” is a blues penned by Iverson that suggests both Ornette Coleman and Edgard Varèse in spots. The leader brought several originals to the session, including the exotic ballad “Charvez,” the exuberant “Lorca,” (dedicated to his percussionist son) and the delicate, gorgeous ballad “Lullaby for Imke” (written for his daughter). Turner’s contribution is the meandering but invigorating “Iverson’s Lullaby.” The interplay between the four men and the intensity of their individual solos leave no doubt that this quartet has earned a return trip to the studio for a follow-up session. – Ken Dryden

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