Past Lives

Rate It! Avg: 4.5 (34 ratings)
Past Lives album cover
Album Information

Total Tracks: 18   Total Length: 117:10

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sabbath on monday morning ?

carlitosway69

this album its the reason tony fired ozzy...it sucks...

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Raw

DrR

In your face "raw" Sabbath. The way it is supposed to be.

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Past Lives

bdc-mike

I will admit that I am a bigger fan of the Dio era of Sabbath. That being said this is the original Sabbath playing at there best. Ozzy is such an incredibly dynamic front man. Great riffs, and jams. One of the best live albums I have ever heard.

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Best Sabbath Live album

map1257

I really don't know where the AllMusic reviewer is coming from on this. This is the best Ozzie-era live Sabbath material officially available. I never understood why "Live at Last" was so criticized anyway. For many years it was the ONLY Ozzie-era live album you could buy. It shows them still in their golden days - not quite 1970-71, but still at a peak, and far better than the 1990s "Reunion" live CD. Comparing this to The Stooges is only slightly less off-base than calling it a "psychedelic journey." And I wouldn't say it was recorded at "several different points" in their career. Disc 1 is entirely from March 1973. On Disc 2, tracks 2-4 are from Aug 75 in New Jersey, and the rest are Dec. 1970 in Paris - a show which has appeared in its entirety on bootleg DVD and really deserves an official release.

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They Say All Music Guide

Originally released in 1980 under the name Live at Last, this infamous live disc has never been heard in its entirety until its 2002 reissue. Where the original album suffered from flat sound and an abrupt ending, this has been remastered and remixed to give it the spacy vibe and airy sound it needs. Recorded at several different points in their career, this live disc is a psychedelic journey into the primal sludge of early heavy metal, warts and all. Wrong notes, tempo mistakes, meandering jams, and a stoned Ozzy Osbourne (he proudly admits this fact) may seem like detriments, but when paired with music this ugly it gives it an endearing urgency that keeps the album interesting. Black Sabbath plows through these songs like a tank, offering up a wall of grunge that has more in common with the Stooges than the technical hard rock being offered up by the band’s contemporaries at the time. Tony Iommi is the star here, delivering blistering guitar work that is drenched in fuzz and sharp as a sword. Osbourne’s performance is also quite respectable, channeling a venomous stream of angst and rage that seems uncharacteristic when compared to his solo career. But his attitude is a key element, pushing him to steer his voice way out of his given range out of sheer passion during several key moments. A terrible rendition of “Megalomania” (hindered by Ozzy’s inability to stay in tune) is a jarring low point in an otherwise strong set, but overall this is an inspired performance that shows what an original and smart group Sabbath was at the time. Constantly growing and shaping itself through the first half of the ’70s, this may be one of the last documents of Sabbath at its peak before the group began its downward spiral. – Bradley Torreano

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