Uprising

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Uprising album cover
Album Information

Total Tracks: 12   Total Length: 46:39

eMusic Features

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Six Degrees of A Love Supreme

By Britt Robson, eMusic Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

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Reggae’s Ba-Ba Boom Time

By Lenny Kaye, eMusic Contributor

Despite the fire and brimstone that characterized reggae's revolutionary emergence in the 1970s, I have always had an abiding affection for the evolutionary period that immediately preceded that breakthrough, when the music seemed caught between two worlds. The style is usually referred to as rocksteady - post-Ska, but still experimenting with and expanding the possibilities of that one-drop, loping afterbeat; and though Rastafarian ideology was already beginning to swiftly gospelize the music (anthemed most notably… more »

They Say All Music Guide

Uprising would be the final studio album featuring Bob Marley & the Wailers to be released during Marley’s lifetime. Prophetically, it also contains some of the band’s finest crafted material, as if they were cogent that this would be their final outing. The album’s blend of religious and secular themes likewise creates a very powerful and singular quest for spirituality in a material world. Although it is argued that an album’s graphic design rarely captures the essence of the work inside, the powerful rebirthing image of a rock-solid Marley emerging with his arms raised in triumph could not be a more accurate visual description of the musical jubilation within. Musically, the somewhat staid rhythms often synonymous with reggae have been completely turned around to include slinky and liquid syncopation. “Work,” “Pimper’s Paradise,” and the leadoff track, “Coming in From the Cold,” are all significant variations on the lolloping Rasta beat. The major differences are the sonic textures that manipulate and fill those patterns. The inventive and unique guitar work of Al Anderson — the only American member of the original Wailers — once again redefines the role of the lead electric guitar outside of its standard rock & roll setting. “Zion Train” is awash in wah-wah-driven patterns, creating an eerie, almost ethereal backdrop against Marley’s lyrics, which recollect images from Peter Tosh’s “Stop That Train” all the way back on Marley & the Wailers’ international debut, Catch a Fire. The final track on the original pressing of Uprising is “Redemption Song.” Never has an artist unknowingly written such a beautiful and apropos living epitaph. The stark contrast from the decidedly electric and group-oriented album to this hauntingly beautiful solo acoustic composition is as dramatic as it is visionary. Less than a year after the release of Uprising, Marley would succumb to cancer. The 2001 Definitive Remaster version of Uprising contains the “band version” of “Redemption Song” and the 12″ mix of “Could You Be Loved.” – Lindsay Planer

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