Total 2

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EDITOR'S PICK

Total Tracks: 13   Total Length: 74:00

eMusic Review 0

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philip sherburne

eMusic Contributor

Electronic music columnist for eMusic.com; writer for fishwrap like The Wire, XLR8R, SF Weekly, RES, Nylon, and Wired; columnist for Pitchfork; blogger (www.phi...more »

06.09.08
If you're going to only download one Kompakt compilation, make it this one.
2000 | Label: Kompakt

While vinyl singles are arguably the essence of Kompakt's aesthetic, the label began making its material available to the CD-buying public in 1999 with the launch of the Total series, a title that neatly summed up the label's expansive aspirations to unite the world — or at least, unite a virtual totality of musical styles — under a thudding kick drum. Rabid Kompakt fans can argue for hours as to various installments 'competing merits, but there's no denying that 2000's Total 2 is a highlight of the catalogue, neatly summing up a span that ranges from blistering, acid-scarred dance tracks (Reinhard Voigt's "Zu Dicht Dran") to spiky, hyperactive pop (Gebr. Teichmann's "Aus der Ferne") to moody, soul- and goth-tinged comedown cuts (Superpitcher's "Shadows," Jimmi Moon's "Lovelane"). In the record's most complete statement, Closer Musik's "One Two Three (No Gravity)," sullen synths and guitar come together with Matias Aguayo's cool whisper to create as weightless a vision of techno as you'll ever hear.

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Aus Der Ferne 1!! is a Gem

discriminate-musicfan

Track 3 is a gem. the rest sounds good enough, but Kompakt spoiled us with The Orb, and now the rest of this album just moves along with no real stand outs. Great Chill out music, some of the best Chill out music out there, but no edge. Except for Track 3.

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I think the eMusic review is overrated

eJDL

I enjoy Kompakt a great deal, but this isn't the end all be all compilation - the recent freebie download from that other music download store was the equal of this. Check out Pop Ambient 2008.

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Kompakt

By philip sherburne, eMusic Contributor

Techno has never seemed at once as solid, and as malleable, as in the hands of Cologne's Kompakt label. Founded in 1998 by Wolfgang Voigt, Michael Mayer and Juergen Paape as the consolidation of what had become an increasingly unwieldy array of projects run out of Cologne's Delirium record shop -- among them Profan, Studio 1, Auftrieb, NTA and Kreisel 99 -- Kompakt has grown into an empire of sorts, encompassing a booking agency, distribution… more »

They Say All Music Guide

Kompakt’s Total 2 compilation finds the Köln, Germany-based label broadening its scope, showcasing many of its second-wave producers and their esoteric sounds. Many have called the Kompakt sound tech-house, but that’s a lazy and unrepresentative approach to summing up what’s so brilliant about the music on this album. While it is true that these producers merge the sometimes opposing aesthetics of house and techno — the former associated with accessible dancefloor rhythms and the latter associated with challenging emotive inducements — they do more than that here; believe it or not, a few of the producers here even manage to incorporate melodic pop sensibilities to their beats, similar to what J. Burger did with his Modernist recordings. Besides the abrasive barrage of Reinhard Voigt’s album-opening “Zu Dicht Dran,” most of these tracks balance experimentation with melody amid minimal techno sounds and syncopated house rhythms. It’s obvious that most of these producers have been studying their Studio 1 records when it comes to rhythms, but, more interestingly, they also seem to be listening to a lot of vocal pop, most evident on Michael Mayer’s “Amanda” and Schaeben & Voss’ “Fein Raus” — a song that shamelessly swipes the vocal melody from Madonna’s “Material Girl”! Of course, the “experimental melodic pop crossed with tech-flavored house trackiness” generalizations such as this don’t work with every song on this thankfully diverse album; the last few songs, in particular, retain an accessible melodic edge, but drift into the sort of tranquil, spaced-out aural hallucinations found on the Chain Reaction records of Hallucinator, Fluxion, and Vladislav Delay. To bring this analysis to a close, it’s really hard to grasp this album, mostly because it’s so modestly accessible that a clinical dissection invites itself. Yet, at the same time, this second wave of Kompakt producers aren’t producing simple music by any means, but rather music that parades itself as being accessible when underneath the melodies a tremendous amount of enriching esotericism remains waiting to be explored with each successive listen. In other words, don’t underestimate what you hear; a fathomless wealth of enriching beauty lies beneath the Madonna-like, candy-flavored gloss. – Jason Birchmeier

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