A Portrait of Thelonious

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Album Information

Total Tracks: 9   Total Length: 47:04

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Forget the Conventional Wisdom

EMUSIC-01B912CE

You may have read that after about 1951, due to mental illness and shock treatments, Bud's playing was never the same. But certain early '60s recordings, like this one and Live in Lausanne prove that there were times where he had both the old fire and a new lyricism. This has long been one of my favorite Bud Powell albums.

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The Music of Mad Men

By eMusic Editorial Staff, eMusic Contributor

Three seasons in, AMC's Mad Men has proven to be a show as much about authenticity as the hidden self. Creator Matthew Weiner is famously strict, some have said to the point of mania, about period details on the show, from cigarette brands to children's toys to women's undergarments. The same is true for the show's music, which is often a deliciously curated collection of late 1950s and early 1960s pop, jazz, folk, and doo… more »

They Say All Music Guide

This CD reissue is one of the most rewarding Bud Powell recordings to come from his period in France. Powell (along with bassist Pierre Michelot and drummer Kenny Clarke) explores four of Thelonious Monk’s tunes, Earl Bostic’s “No Name Blues” and the standard “There Will Never Be Another You” but it is the final two numbers (“I Ain’t Foolin’” and “Squatty”) which really find the bop master at his most spirited and swinging. This very rewarding CD releases for the first time the alternate take (a faster rendition without a clear melody) of “Squatty,” a song that (based on its original version) deserves to be revived. One oddity: the applause heard throughout this release was added on later because this was actually a studio album. – Scott Yanow

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