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Perfect From Now On

Rate It! Avg: 4.5 (732 ratings)
Perfect From Now On album cover
01
Randy Described Eternity
6:05
$1.29
02
I Would Hurt A Fly
6:15
$1.29
03
Stop The Show
6:26
$1.29
04
Made-Up Dreams
4:52
$1.29
05
Velvet Waltz
8:33
$1.29
06
Out Of Site
5:36
$1.29
07
Kicked It In The Sun
7:33
$1.29
08
Untrustable
8:54
$1.29
Album Information
EDITOR'S PICK

Total Tracks: 8   Total Length: 54:14

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eMusic Review 0

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Jayson Greene

Managing Editor

Jayson Greene writes about music for Pitchfork, the Village Voice and other publications. From 2004-07, he was associate editor for SYMPHONY Magazine, where he ...more »

01.11.10
Doug Martsch's epic, sprawling masterpiece. 'Perfect,' indeed
1997 | Label: Warner Bros.

How big is Perfect From Now On? So big that Doug Martsch had to record it three times to get it out. The first time, he tried to play every instrument except the drums by himself — the actions of a man possessed. When this failed, he scrapped his band and gathered together some new musicians to help him flesh out the sound that was banging down the door in his head — a sound he must have instinctively known was out of the technical grasp of his current crew. Hell, it was hardly within his own; after he finally surrendered it to his record label, he could no longer bear to hear it, and the album's title was, apparently, a mocking rejoinder to himself. "All I could hear was the imperfections," he lamented later to Rolling Stone, a pretty striking sentiment from a guy who never used to sweat the glaringly fumbled notes in his wandering guitar solos.

Martsch and his new lineup — Bret Nelson on bass, Scott Plouf on drums, Quasi's Sam Coombes on organ, and John McMahon on cello — assembled the sound out of pieces and fragments, frustratingly incomplete transmissions from another world. Martsch struggled… read more »

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masterpiece

Corporate_America

This is the great transition to the major label that put BTS at the forefront of "indie rock". It is an amazing album. I listened to this for days on end when it came out. I don't care much for the albums that came afterward. Look at the song durations. This is art rock at its finest.

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Fantastic

ChimbleySweep

This, coupled with Keep It Like A Secret, are two of the best indie guitar rock albums of the last 15 years. They each supplement each other extremely well. Martsch is a guitar virtuoso.

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Not my cuppa...

EMUSIC-01CE6DF9

First heard this thirteen years ago; I'm finally giving it another chance... and I still don't like it that much. I much prefer Keep it Like a Secret, and I LOVE their first two albums, especially There's Nothing Wrong with Love. Not to be a hater, I just felt like i needed to counter all the rave reviews here. I guess I prefer the intimate, clever, playful, bittersweet Built to Spill rather than the epic, sprawling, grandiose Built to Spill.

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Why did I wait so long?

jdfraney

Thirteen years later and I'am finally listening to this album. I'am really kicking myself right now for not finding these guys sooner. You can really here the influence in a lot of the bands I already love. I have been listening to it non-stop since downloading and it is truly a masterpiece. All of you guitar players out there pay close attention. Please give this album the credit it deserves and listen from start to finish.

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thesis inspiring masterpiece

Bobuar

I could write a term paper about this album. Perhaps not entirely from an objective standpoint though, since it pulls at my heart strings every times that I hear it. There is an undeniable fluidity to this record that makes it not a collection of songs, but a single, geniously orchestrated body of work. "Perfect From Now On" shouldn't be listened to casually, it deserves not only the listener's complete attention, but it is much like a Celtic tapestry - a piece of art that the viewer could become absorbed in and meditate to. *Notice that the same melody from the end of "Made up dreams" coexists on the album on a verse in "Velvet Waltz". Bravo, Doug. The cello was a bold and brilliant move also.

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TOP 100

Drewski

Easily one of the top 100 albums of all time.

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Favorite of All

shakeboy2k

The perfect poetic description of eternity, the almost vile cello that would hurt a fly, and the 3 minute instrumental crescendo that would stop any show goer in their tracks. If the first three songs don't have you blown away, the last two certainly will as they reassure you that it's all going to be okay...your mother will always think you're special. A stunning, under appreciated masterpiece. But perhaps some secrets _are_ best kept. Easily my favorite of their entire catalog and of my entire record collection.

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lovelovelove

steckarrr

Not many albums throw me in a giddy dizzy dreamworld the second I put it on. This album has the complexity of a glam rock classic with the intimacy and earnestness of indie rock. One of my favorite albums of all time.

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one of my 'five'

Axiom

This album was mind-blowing when it arrived in the 90s and it holds up extremely well today. Of all the work in the BTS catalogue, this one remains my favorite and most cherished. It is a masterpiece and deserves repeated listens. If you missed this album somehow, but can get into the voicing and guitar sounds - then relax, slip into a mood and let it wash over you...it is an epic album. My personal faves are 'Randy Describes Eternity' and 'kicked it in the sun' but i think every song is worthwhile.

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They Say All Music Guide

Not many groups would take a major-label contract as a cue to put out an album where the shortest song is still a radio-unfriendly five minutes in length. For that listeners can thank their stars that Built to Spill isn’t like many groups and Doug Martsch not like many artists. Perfect from Now On manages the amazing trick of being the band’s best album to this point, Martsch and company using the opportunities for larger budgets and distribution to create an album at once inspiring and quietly emotional, not the easiest combination to pull off. With drummer Scott Plouf and bassist Brett Nelson as the other core performers, plus second guitarist Brett Netson and cellist John McMahon as key guests, the result is astounding all around. The length of the songs allows the band to create uniquely post-everything mantras, blending psych trances and drones, post-punk airiness and flow, and Martsch’s affecting, tender singing and lyrics into a whole. Martsch’s high tones and the guitar passion here helped fuel further comparisons to Neil Young — to pick out one moment, consider the closing minutes of “I Would Hurt a Fly,” feedback peeling out over the rhythm and strings — but the Boise musician is his own man through and through. Selecting standout moments from such a solid disc almost defeats the purpose, but many examples still deserve further notice. “Stop the Show” builds to a dramatic, but not in the least bit hammy, shift from a roaring wash to a quick, clipped pace; Martsch’s vocals and further sudden tempo switches are the icing on the cake. “Velvet Waltz” indeed plays at that musical pace, McMahon’s playing and Martsch’s heartbreaking, lovely lyrics and singing the core of a incredible song. “Untrustable/Part 2 (About Someone Else)” concludes a simply fantastic record. – Ned Raggett

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