Pray

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Pray album cover
Album Information

Total Track: 1   Total Length: 3:21

eMusic Features

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Scene: Memphis Gospel, 1920s – Present

By Mike McGonigal, eMusic Contributor

Memphis, TN is justly revered as the birthplace of Sun studios, the modern supermarket, Stax records and Justin Timberlake. And while it's the city of Chicago that can lay claim to being the birthplace of modern gospel, the music's history in Memphis is full of grit, funk and sanctified brimstone. Much of this arises from the fact that Memphis was a central force in the rise of Pentecostalism. Since the early 1910s, the Church of… more »

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Righteous Rhythms: The Sanctified Sound of Gospel

By Mike McGonigal, eMusic Contributor

African-American gospel is more than just the heart and soul of so much popular music, from soul and R&B to dance and jazz. It's also among the most vital, emotional and original art forms America has yet produced. From the house wrecking sound of Golden Age quartets and the gorgeous fluttering of the divas of early gospel music to the stomping and funky sound of contemporary R+B influenced urban gospel, we've got a delightful introduction… more »

They Say All Music Guide

Reaching outside the Eastern parameters of his work with pioneering Indonesian garage rockers Macha, Josh McKay casts a new and thoroughly narcotic vibe for himself under the Seaworthy moniker. Delivered as something resembling a song cycle, this collection of material blends equal parts organic and electronic elements to create a hypnotic vibe throughout. Beginning with the massive riff work underpinning the “Open the Gates” instrumental, the equally powerful slow drive of “I Met Her in the Candy Store” is offset by the entrance of McKay’s soft vocals. The guest vocal work of avant Japanese vocalist Haco on “The Day” is a logical, but well-played addition to the roster of lush sounds. But it’s dreamy tracks like “Sea Manta” and the brief “In Anticipation Of” that help keep The Ride aloft as a truly modern end-to-end listening experience. Mixed and mastered under reportedly pressing circumstances, the album not only stands on its own as a solo project but as another testament to McKay’s deft visions in sound. – Joe Silva

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