Tiny Creature

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Tiny Creature album cover
Album Information

Total Tracks: 9   Total Length: 79:55

eMusic Features

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eMusic Yearbook: 2000

By Hua Hsu, eMusic Contributor

It started with a note of relief. Our computers had survived; we had made it. The clocks had passed midnight into the year 2000, not 1900, and all those tanks of propane and fresh water cached in the garage became souvenirs of an instantly-embarrassing paranoia. Perhaps the year 2000 was the last time many would regard a computer with suspicion. Fears of the machine-chaos that would ensue as computer clocks the world over tried in vain to… more »

They Say All Music Guide

Artistically, Cex’s Rjyan Kidwell has switched styles several times in his career, but he eventually settled into something more undefinable, coined by some as electro-prog. Tiny Creature has proggy and electro elements — as long, fractured, synthesized pieces in odd time signatures — but ambience is the biggest ingredient this time. As a digital opera of sorts, Brian Eno’s influence is felt, of course, but Kidwell also structures his pieces like avant-garde classical composers would, emphasizing stark space in his disjointed movements. Without sturdy backbeats, the music is more uncompromising than usual, especially in the album’s 20-minute centerpiece “Critterpated,” which is embodied by cold, orchestra-patch synth swells and nothing more. Elsewhere, blippy IDM and brittle, scratchy keys fill the patchwork of “Secret Monog” and “Trumpetflower.” If you’re looking to shake speakers, Tiny Creature isn’t the album for you. The beats aren’t easy, and even though Cex comes from the bassy Baltimore scene, much of the album sits in a very high frequency, making for a thin, tense atmosphere. It’s opaque, and difficult, for sure, but, then again, Kidwell’s music is rarely conventional. – Jason Lymangrover

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