To the rock critics who dismissed Chic’s music as disposable and mindless back in the late ’70s: it might seem like a stretch to say that Nile Rodgers and Bernard Edwards had as great an impact as Gamble & Huff, George Clinton, and the folks at Stax Records. But in fact, Chic’s music was that influential — and its disco/funk/soul innovations would be having an impact long after the ’70s ended. From Madonna, Change, and Queen, to Duran Duran, Soul II Soul, and ABC — new wave, hip-hop, house, European Hi-NRG, Latin freestyle, and acid jazz — you could write a book about all the artists who have been influenced by Chic. This collection, which came out in 2000 and spans 1977-1982, is full of grooves that prove to be anything but disposable. Most of Chic’s essential hits are provided, including “Good Times,” “Le Freak,” “Dance, Dance, Dance,” “I Want Your Love,” and “Everybody Dance.” Less than essential, but still likable and decent, are early ’80s recordings such as “Rebels Are We” from Real People, and “Stage Fright” from Take It Off. By 1980, Chic wasn’t having as many hits and was feeling the sting of the death-to-disco movement. But disco never really died — it simply changed its name to dance music and evolved into such forms as Hi-NRG, Latin freestyle and house. When that happened, Chic’s long-lasting influence was impossible to miss — you could say that Chic’s influence lasted a lot longer than Chic itself. For those who need a concise introduction to Chic’s legacy and want to hear some of R&B’s most influential grooves, The Very Best of Chic is highly recommended. – Alex Henderson