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Initials C.C. Out-Takes, Rarities & Personal Favourites 1982-2002 Vol. 1

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Initials C.C. Out-Takes, Rarities & Personal Favourites 1982-2002 Vol. 1 album cover
Disc 1 of 2
01
Detestimony
Artist: Fini Tribe
3:57
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02
Mania
Artist: Murder Inc.
5:08
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03
At The Top
Artist: Revolting Cocks
6:24
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04
Stick
Artist: Revolting Cocks
4:34
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05
I Can Do No Wrong
Artist: Pigface
6:17
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06
Stainless Steel Providers (Live Version)
Artist: Revolting Cocks
6:56
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07
Rubber Glove Seduction
Artist: P.T.P
5:24
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08
All Fours
Artist: Fini Tribe
4:12
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09
Ignore The Noise
Artist: The Damage Manual
3:51
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10
My East Is Your West
Artist: Chris Connelly / Chris Bruce
4:17
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11
To Play A Slow Game
Artist: Bill Rieflin & Chris Connelly
5:41
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12
The Call Girls
Artist: Bill Rieflin & Chris Connelly
3:15
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13
A Mutual Friend
3:40
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Disc 2 of 2
01
2000 Light Years From Home
Artist: F/i
4:56
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02
Paperself
Artist: Fini Tribe
7:08
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03
Me And My Shadow
Artist: Fini Tribe
3:14
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04
Confessions Of The Highest Bidder (Original Demo)
4:41
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05
No Man's Land
Artist: Connelly / Rieflin
4:07
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06
What's Left But Solid Gold (Acoustic Version)
Artist: Connelly / Tucker
3:58
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07
The Long Weekend
Artist: Connelly / Bells
5:27
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08
Twilight Shiner
Artist: Connelly / Bruce
4:40
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09
Partick Roullette
Artist: Connelly / Rieflin
2:58
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10
About The Beauty Of Laura
5:00
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11
The Fortune (Demo)
Artist: Connelly / Rieflin
3:39
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12
Niddrie Street Tape Loop Experiment
Artist: Connelly / McGregor
2:14
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Album Information

Total Tracks: 25   Total Length: 115:38

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They Say All Music Guide

Chris Connelly’s contributions to the musical stage are vast in the subgenres of rock & roll, and this collection collects many of the facets he is known for. The tracks, selected by Connelly, collect “Out-takes, Rarities & Personal Favourites” from his tenure with the Revolting Cocks, Pigface, Fini Tribe, the Bells, and others. Spread over two discs, the set is a nice one that should appeal to fans of his work as well as those interested in finding out more about all the cookie jars Connelly has had his fingers in over the years; from his industrial days to his more mellow acoustic work, most of his changes and phases are represented here. The only big representational hole not filled by this assemblage is that there is nothing by Ministry, with whom Connelly played keyboards and sang, but that fact doesn’t taint the package much, if at all. Connelly did an excellent job sequencing the two discs to make this into a perfect collection that doubles as an introduction to his work as well as a fine assortment of outtakes and rarities for collectors. – Gregory McIntosh

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