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The Bones Of What You Believe

Rate It! Avg: 4.5 (17 ratings)
The Bones Of What You Believe album cover
01
The Mother We Share
3:11 $1.29
02
We Sink
3:34 $1.29
03
Gun
3:54 $1.29
04
Tether
4:46 $1.29
05
Lies
3:41 $1.29
06
Under the Tide
4:32 $1.29
07
Recover
3:46 $1.29
08
Night Sky
3:51 $1.29
09
Science / Visions
3:58 $1.29
10
Lungs
3:03 $1.29
11
By the Throat
4:09 $1.29
12
You Caught the Light
5:36 $1.29
Album Information
EXPLICIT // EDITOR'S PICK

Total Tracks: 12   Total Length: 48:01

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eMusic Review 0

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Ian Cohen

eMusic Contributor

Ian Cohen caused a minor uproar after panning the first Presidents of the United States of America LP in his high school newspaper, and not much has changed sin...more »

09.27.13
Nailing the zeitgeist with enduring, hook-focused songcraft
2013 | Label: Glassnote

Chvrches singer Lauren Mayberry and synthesizer/production team Iain Cook and Martin Doherty knocked around the Glasgow indie scene for years in bands like Twilight Sad, Aereogramme and Boyfriend/Girlfriend — respectable and oft-underrated outfits that often hewed close to the Scottish stereotype of cathartic mope-rock. Having finally scored a hit that makes people sing along happily (“The Mother We Share”), they’ve decided they’re not going to blow it. Their debut, The Bones of What You Believe, is subtly ambitious in the same way their arena-aspiring heroes (Depeche Mode, Tears for Fears) were: Mayberry’s laser-guided melodies cut through glass, the synthesizers are rendered with pristine neon clarity rather than the imploded fog that marks the “synth-pop” of today.

The trio also shows their old-school roots by making Bones a true album experience. Sure, the hit singles (“The Mother We Share,” “Gun” and “Recover”) are included, but they’re sequenced perfectly throughout so that new favorites can emerge, whether it’s the jet-propelled “Night Sky,” “Tether”‘s moody balladry or even the two Doherty-fronted songs, which show that Chvrches aren’t just “Lauren Mayberry and the two dudes in hats.” The result nails the zeitgeist on pretty much all fronts — the stylization of the band name, the… read more »

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Freakin' awesome

takku

What a treat! Bright 80's DX-7 synth sounds, great pop songwriting, and - wait for it - upbeat and optimistic feel to it. Lots of influences and comparison points come to mind, starting from mid-career Kate Bush, Cocteau Twins, and 80's synth pop, and some more modern names like School of Seven Bells and Birthday Massacre (ok that's a stretch but you get the idea) but everything wrapped in bright colors and with none of that moping that tends to surround the synth pop genre.

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