Ciao Bella’s self-titled album strikes a lovely balance between 60s pop touches and the semi-futuristic pop the March label usually deals in — portions of the record do pretty much the same thing the Olivia Tremor Control’s Dusk at Cubist Castle do (“How Low”), but the chirpy collages and Beatlesque harmonies of this aesthetic are tempered by big guitar sounds and modern organ usage that give Ciao Bella an entirely different tone. – Nitsuh Abebe