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Rapprocher

Rate It! Avg: 4.0 (62 ratings)
Rapprocher album cover
01
Keep You
3:14 $0.99
02
Love Me Like You Used To
3:51 $0.99
03
Weekend
4:01 $0.99
04
Prove Me Wrong
3:52 $0.99
05
Need To Know
4:12 $0.99
06
Limousine
4:26 $0.99
07
All The Saints
4:24 $0.99
08
Bienvenue
2:58 $0.99
09
Missed
4:23 $0.99
10
Hangin' On
3:16 $0.99
11
Let Me In
4:54 $0.99
Album Information

Total Tracks: 11   Total Length: 43:31

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eMusic Review 0

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Matthew Fritch

eMusic Contributor

Matthew Fritch spent more than a decade as senior editor of the Philadelphia-based magazine MAGNET, where he wrote about wildly unpopular indie rock bands and r...more »

10.18.11
Desiring ex-boyfriends in the sound world of 1982
2011 | Label: Carpark Records

Elizabeth Harper should be every guy’s dream: a smoky-eyed, high-cheekboned Brooklyn girl who knows exactly what she wants and isn’t afraid to let you know. Unfortunately, what she desires most are her ex-boyfriends, and she wants them in the sound world of 1982. Such is the new-wave cycle of longing and regret that is Rapprocher, the second full-length by Class Actress. Aided by producers Mark Richardson and Scott Rosenthal, vocalist Harper is engulfed by the same keyboard and synth-drum sounds that once belonged to the Human League and early Depeche Mode. (If you peer closely into Class Actress’s tangle of pre-MIDI synth cables, you can even see the visage of former Depeche Mode keyboardist Vince Clarke.) Harper might be awash in the music, but her steely-cold, calm vocals never fail to deliver the message to exes: “Love me like you used to”; “I wanna keep you in my heart”; “You’re gonna miss me so bad.” In the same way that Soft Cell’s “Tainted Love” takes on a slightly sinister tone due to its synth-pop sheen, Harper’s songs can make her seem a bit stalker-ish and intriguingly unhinged. Even when she sings a chorus of “Bring it on, bring on the… read more »

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