Your Favorite Music

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Your Favorite Music album cover
Album Information

Total Tracks: 12   Total Length: 47:13

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Not good samples

chs

Some great songs on here, but the sample clips don't necessarily do the full tracks justice. I highly recommend "I Love the Unknown," but wouldn't have picked it up based on the preview. Enjoy!

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If you like Neil Young...

CosmicBob

...and if you aren't stuck in the 60's, you'll love this thoughtful, moody, beautiful record. Hard to describe, but laid back, pretty and sad all come to mind.

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It's about time...

Antagonist

I wrote a whole page before reading the AMG review of this album. Burger actually said it much better than I had (but he also had more space), so here I'll just say: Read his review, and download this album ASAP. It may take a few listens, but this album is *so* endearing that that's *all* it will take. One misstep in Burger's review: He's right that the cover of Donna is one of the album's most awesome achievements, but neglects to mention the absolute wonder that the addition of a clarinet does for this classic song. Moreover, the follow up to Donna, "The Water Song" was heralded by my father as "The best song he's ever heard". If not an absolute truth, it's certainly close.

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They Say All Music Guide

Rock critic Robert Christgau calls Clem Snide’s music “true American deadpan,” and group leader Eef Barzelay says he believes their obscure first album “did in fact seep into the collective unconscious and caused millions of people worldwide to feel a vague sense of resignation.” Such comments notwithstanding, it would be a mistake to dismiss Your Favorite Music as some sort of put-on. Like the albums of, say, Jonathan Richman, this music has a homespun quality and a twisted worldview that can bring a smile. But there’s serious and rather wonderful stuff going on here, too.
A lot of this is not quite like anything else out there, though if you need a reference point, think of the softer side of Velvet Underground — or at least Pearls Before Swine — with touches of the Fleetwoods and the Left Banke. On this latest release, Barzelay is a seductive vocalist, and cellist/violinist Jason Glasser shines throughout. The original compositions are almost uniformly terrific, moreover, though the album’s greatest achievement may be its reverent cover of Ritchie Valens’ “Donna.” Clem Snide takes the song at an even slower pace than Valens did, adds moody strings, and turns it into a near-perfect four-minute meditation on lost love. – Jeff Burger

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