eMusic Review 0
The roots of hip-hop’s cut ‘n’ paste method in dada and William Burroughs become apparent on Coldcut’s Let Us Play. Rants from Salena Saliva and Jello Biafra make the beat manipulation expressly political, while the détourned Cold War-era samples of “Atomic Moog 2000″ link Coldcut to the pranks of the Situationists. Other shenanigans include a Vocoded voice reading extracts from Omar Khayam’s epic poem The Rubaiyat, music generated solely by a software program, an ode to the lunatic Moog experiments of Jean-Jacques Perrey and cut ‘n’ paste pioneer Steinski’s history of the sex manual.