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The Hawk Flies High

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The Hawk Flies High album cover
Juicy Fruit
Think Deep
Blue Lights
Album Information

Total Tracks: 6   Total Length: 39:23

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This album is mighty fine. Hawkins allows the whole group to shine.

eMusic Features


A Hundred Candles for Lester Young

By Kevin Whitehead, Contributor

Tenor saxophonist Lester Young was born 27 August, 1909, and even at 100 he may be the coolest of cool jazz cats. He was (to single out a quality he prized) an original - a contrarian, even. For awhile he even held the bell of his horn out at a weird, unnatural angle. David Stone Martin once drew him playing in front of the tower of Pisa, leaning the opposite way. Young had his own way… more »


The Rise and Fall of Lucky Thompson

By Kevin Whitehead, Contributor

A few years ago, Italian saxophonist Daniele D'Agaro was visiting Chicago, and a critic friend put on a fairly obscure record to stump him. D'Agaro listened for about three seconds, said: "Lucky." Good ears. He knows the distinctive sound of Lucky Thompson after he started hanging out in Paris and playing sumptuous tenor saxophone ballads recalling old idol Don Byas's Parisian sides. On "Solitude" and "We'll Be Together Again," from Lucky in Paris 1959, his tenor's… more »

They Say All Music Guide

Coleman Hawkins’ 1957 session for Riverside, aside from an oral documentary record in a short-lived series, was his only recording for the label under his name. Yet producer Orrin Keepnews had the good sense to invite the legendary tenor saxophonist to pick his own musicians, and Hawkins surprised him by asking for young boppers J.J. Johnson and Idrees Sulieman in addition to the potent rhythm section of Hank Jones, Oscar Pettiford, Barry Galbraith, and Jo Jones. The two days of sessions produced a number of strong performances, with Hawkins still very much at the top of his game, while both Johnson and Sulieman catch fire as well. Even though most of the focus was on new material contributed by the participants, the musicians quickly adapted to the unfamiliar music, especially the leader’s old-fashioned swinger “Sancticity” (which sounds like it could have been part of Count Basie’s repertoire) and the pianist’s tightly woven bop vehicle “Chant.” Hawkins was one of the great ballad interpreters, and his majestic performance of the standard “Laura” is no exception. The 2008 reissue in the Keepnews Collection series uncovered no previously unissued material, though expanded liner notes by the producer and improved 24-bit remastering make this edition an improvement over earlier versions. – Ken Dryden

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