Firmly out of the underground by the time Electric Circus came out in late 2002, Common takes the vision to the next level, employing high-profile producers ?uestlove, Dilla (Jay Dee), and the Neptunes. It’s no surprise that the ?uestlove tracks push the most unclaimed territory. The Roots’ Phrenology record, which appeared concurrent with Electric Circus, also flips the script on preconceived notions of beats and rhymes. Frequently the new sound on both records is pushed into a strange, sometimes aggressive, blunted rock/soul hybrid that still pulls the line for able-bodied MCs. Then there’s also the Neptunes’ tracks here, which are perfectly suited for MTV and urban radio. The Mary J. Blige duet, “Come Close,” is a slow-paced dialogue between Common and Blige that borders on typical, but will still find a great number of fans. “Electric Wire Hustler Flower” is the true centerpiece of the record, though — another ?uestlove jam, the song is tough but sensitive enough to maintain the layers of rhythm, rhyme, and abstraction. Electric Circus does suffer from that which ails many contemporary hip-hop albums — too many guests (including a strange appearance by Laetitia Sadier [Stereolab]) and a generally lengthy program drag this one down a tad. Nonetheless, Electric Circus is a brave and ruthless statement wrapped in sincerity. [Electric Circus was also released in a clean version, edited for content.] – Sam Samuelson
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