Tell Me Something

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Tell Me Something album cover
Album Information

Total Tracks: 10   Total Length: 32:30

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chronique de bokson.net

bokson

Connie Price & The Keystones, aidés de la fine fleur de la scène californienne, affichent un nouveau visage, de nouvelles aptitudes, qui viennent compléter plutôt qu’occulter celles de la première heure, quand l’entité avait séduit Peanut Butter Wolf par son revival funk, et ses collaborations actives avec Breakestra ou Madlib («Sound Directions»). Désormais, les deux cerveaux du projet qualifient eux-mêmes leur musique de soul cinématographique aux forts accents hip hop. Ils n’iront par contre certainement jamais jusqu’à dire qu’ils en sont les meilleurs représentants. «Tell Me Something», conservant intacte leur modestie dans l’approche comme dans le son, ne manque pas de le dire pour eux. www.bokson.net

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Great Grooves

Chiefboss

This whole album is great. Keeps you bumpin all the way through. Download it all.

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Good grooves

Microbe

Another great release. This one with lots of guest MCs. I personally dig the instrumental stuff, but this will probably have a wider appeal than their first instrumental full length. They've lost some of the afro-beat sound and have taken the tempo down a bit here. The result is that they come off more dubby. That's not surprising considering The Lions project. The title track is my favorite so far. Great job emusic for getting this out on the day it was released!

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They Say All Music Guide

On their second record, funk and soul revivalists Connie Price & the Keystones (aka Dan Ubick and a bunch of friends) decide to branch out from the pure instrumental music they had displayed on their debut, Wildflowers and add the talent of top West Coast MCs (an exception being the Bronxite Percee P, but as he’s signed to Stones Throw, an imprint of which released Wildflowers, and whose founder Peanut Butter Wolf appears here on background vocals, the reasoning is clear). What results, Tell Me Something, is an excellent album that bridges the (small) jump from funk to hip-hop, how the urban blaxploitation soundtracks from Isaac Hayes and Curtis Mayfield tie in so seamlessly to rap. During the tracks that feature vocalists, the band lays off on heavy horn riffs and B-3 chords, approaching the pieces from a more hip-hop perspective, where drums and bass are most important, the rest of the instruments only coming in as accents or to fill out the hook. This careful arrangement then allows the songs that feature both more melodically driven MCs (Blood of Abraham, Mikah 9 from Freestyle Fellowship) — or the singer Aloe Blacc — and the more rhythm-oriented rappers to sound equally good. Percee P, who shows up on three tracks, steals the show, flaunting his complex internal rhyme and storytelling skills with good nature and ease. Ubiquity labelmate Ohmega Watts, too, is impressive on “Master at Work,” which fluidly compares a rapper both to a boxer and a warrior (“I’m punching a wooden man, blast though bottles of glass or bricks with bloody hands” and “I read scrolls and demonstrate excellence through discipline, taking the weight”) as smooth keyboard lines play out eerily underneath. The band is finally allowed to show off their skills during the lone (disregarding the dark, sparse bonus cut) instrumental track on Tell Me Something, “Hoagies Revenge,” which gives the trumpets and guitar space to really explore the groove without the worry of overpowering the vocalist. But it is that, their very ability to accompany lyrics while still retaining their own sense of self, that makes Connie Price & the Keystones a great group, and what makes Tell Me Something a great record. – Marisa Brown

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