Tentacles

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Tentacles album cover
Album Information

Total Tracks: 13   Total Length: 40:02

eMusic Review 0

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Andrew Parks

Director of Merchandising

05.04.09
Brilliant sonic car crashes — we dare you to look away
Label: Touch And Go

To understand the blunt trauma inflicted by Crystal Antlers 'Tentacles, you may want to imagine the antlers in question hurtling toward you, like a pack of Pamplona-plowing bulls. Or at the very least, see the band live: their seek-and-destroy shows recall Comets On Fire at their most incendiary.

Fortunately, so does the frantic-but-focused knob-twiddling of producer Ikey Owens, frontman of Free Moral Agents and keyboardist of the Mars Volta. Owens proves capable of capturing every chainsaw riff and organ roll in Crystal Antlers 'mix-muddying arsenal. Victor Rodriguez flexes his Farfisa like the '60s never ended, elbowing the twin guitars of Errol Davis and Andrew King on his way to the foreground of every pressure-cooked cut. Meanwhile, the strained howl of bassist Jonny Bell squeezes out a few hooks here and there — lines that'll stick in your head for no apparent reason, like "Time/Erased!" and "Don't let me down/ I know that I'm often wrong." Even the group's sole epic, the 7-minute "Several Tongues," amounts to the kind of sonic car crash that'd be the lead story on tonight's 6 o'clock news. In other words: try looking away. We dare you.

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Better than everyone seems to think

Giaddon

Quite good. If you liked the EP you'll probably like this (although there's nothing quite like the chainsaw to the pleasure center that was Parting Song For the Torn Sky, unfortunately). If you're frugal with your downloads get Time Erased, Andrew, Tentacles, Memorized and Glacier.

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They Say All Music Guide

An enormous amount of blog buzz championed their EP, and six months later, Crystal Antlers released their first full-length, Tentacles. Surprisingly, the debut largely lived up to all the surrounding hype. Forgoing the engineering prowess of Mars Volta producer Ikie Owens, the sextet members produced the record themselves, resulting in a brittle, sonically noisy affair — one that practically begs to be cranked. With Victor Rodriguez’s Farfisa organ front and center, neck and neck with Jonny Bell’s wild howling, Crystal Antlers’ prog tendencies become more evident, and their slanted arpeggio melodies seem even more skewed, making them difficult as ever to pin down, even if they are more refined. Chaotic feedback and frantic drum fills feed the fiery “Dust,” “Time Erased,” and “Your Spears” in an adrenalized rage. These aggressive, urgent songs are balanced out by mesmerizing instrumentals and partly psychedelic, weirdly bluesy pseudo-ballads. “Andrew” fits the unlikely combo of blues and psych together wonderfully, in what might be the band’s most unlikely crossover, while “Glacier” spirals down descending scales and bucks to alternating time signatures, but somehow manages to seem relaxed at the same time. – Jason Lymangrover

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