Cults aren't the first group to rise from anonymity to buzz-band status, and they certainly won't be the last. More remarkable than how Madeline Follin and Brian Oblivion crashed the major-label party, however, is the distinctive neo-retro pop style they've brought along with them. Borne partly out of a youth spent listening to an especially eclectic oldies station and a nine-hour drive bonding as a couple over an iPod stacked with Lesley Gore, Jay-Z and Justin Timberlake, Cults' aesthetic is one of the most refreshing developments in pop music since the aggro-bubblegum of Brooklyn's own Sleigh Bells a year ago. Put simply: Nothing else sounds quite like this.

Self-produced with only minor polish from engineer Shane Stoneback — who worked with Sleigh Bells, and with Vampire Weekend, too — these 11 songs make good on the substantial promise of last year's sole single, "Go Outside." Follin's lilting, girlish voice soars over blithely chiming glockenspiel, trebly guitar, shimmery synth, funk bass and computer-sculpted beats, a slight patina of lo-fi haze still intact throughout. Equally integral are the sampled quotes, which include disturbingly resonant words from cult leaders and psycho killers.

Stylized samples aside, though, Cults can always fall back on… read more »