Colour By Numbers

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Colour By Numbers album cover
Album Information
  • Artist: Culture Club (See All Albums by Culture Club)
  • Date Released: Mar 1, 2003

  • Genre: Rock/Pop, Style: Rock

  • Label: VIRGIN

Total Tracks: 10   Total Length: 38:04

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Michelangelo Matos

eMusic Contributor

05.18.11
The record that made Boy George go from frightening to cuddly within a matter of months
2003 | Label: VIRGIN

"I want a No. 1 American album; that's the next thing," Boy George told British journalist Dave Rimmer in early 1983. "I want, you know, I want fucking big hits." Sure. How about four of them? Culture Club's Colour by Numbers, released that October, made its intentions easy to figure out by front-loading each side with a big hit followed by a smaller one — the calculation is that precise, even as the band (and their videos) reflected a certain looseness.

Like a lot of albums in the lingering post-Thriller aftermath, the material on Colour by Numbers is lopsided — the hits really shine, the non-hits generally don't. That includes "Victims," the closing torch ballad, which hit in the U.K. but not the U.S. It was a duet with the group's ferocious backing singer, Helen Terry, who was as potent a symbol of gender possibility as Boy George himself. (In Robert Christgau's words, Terry packed "the voice of Merry Clayton into the body of Gertrude Stein.") Terry also stole "Church of the Poisoned Mind" right out from under its writer. It's still George's greatest song: Stevie Wonder's "Uptight" rewritten as a romantic admonition, a favorite stance for George as… read more »

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They Say All Music Guide

Colour by Numbers was Culture Club’s most successful album, and, undoubtedly, one of the most popular albums from the 1980s. Scoring no less than four U.S. hit singles (and five overseas), this set dominated the charts for a full year, both in the United States and in Europe. The songs were infectious, the videos were all over MTV, and the band was a media magnet. Boy George sounded as warm and soulful as ever, but one of the real stars on this set was backing vocalist Helen Terry, who really brought the house down on the album’s unforgettable first single, “Church of the Poison Mind.” This album also featured the band’s biggest (and only number one) hit, the irresistibly catchy “Karma Chameleon,” its more rock & roll Top Five follow-up “Miss Me Blind,” and the fourth single (and big club hit), “It’s a Miracle” (which also featured Helen Terry’s unmistakable belting). Also here are “Victims,” a big, dark, deep, and bombastic power ballad that was a huge hit overseas but never released in the U.S., and other soulful favorites such as “Black Money” and “That’s the Way (I’m Only Trying to Help You),” where Boy George truly flexed his vocal muscles. In the 1980s music was, in many cases, flamboyant, fun, sexy, soulful, colorful, androgynous, and carefree, and this album captured that spirit perfectly. A must for any collector of 1980s music, and the artistic and commercial pinnacle of a band that still attracted new fans years later. – Jose F. Promis

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