eMusic Review 0
"I want a No. 1 American album; that's the next thing," Boy George told British journalist Dave Rimmer in early 1983. "I want, you know, I want fucking big hits." Sure. How about four of them? Culture Club's Colour by Numbers, released that October, made its intentions easy to figure out by front-loading each side with a big hit followed by a smaller one — the calculation is that precise, even as the band (and their videos) reflected a certain looseness.
Like a lot of albums in the lingering post-Thriller aftermath, the material on Colour by Numbers is lopsided — the hits really shine, the non-hits generally don't. That includes "Victims," the closing torch ballad, which hit in the U.K. but not the U.S. It was a duet with the group's ferocious backing singer, Helen Terry, who was as potent a symbol of gender possibility as Boy George himself. (In Robert Christgau's words, Terry packed "the voice of Merry Clayton into the body of Gertrude Stein.") Terry also stole "Church of the Poisoned Mind" right out from under its writer. It's still George's greatest song: Stevie Wonder's "Uptight" rewritten as a romantic admonition, a favorite stance for George as… read more »