Mama, I'm Swollen

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Mama, I'm Swollen album cover
Album Information

Total Tracks: 10   Total Length: 40:46

eMusic Review 0

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Kristina Feliciano

eMusic Contributor

03.09.09
Kasher and co. lash out bitterly and eloquently at life's ills
2009 | Label: Saddle Creek

Cursive haven't officially dubbed their latest release a concept album, but it could easily pass for one. Mama, I'm Swollen — swollen, it seems, with ripe cynicism, rage and punk rock — often reads like the story of one man's disillusionment and disgust with the world. It's a tale that, musically, has many redeeming qualities, but offers no hope of redemption (though Twyla Tharp could probably fix that.)

The opening track, "In the Now," seems engineered to throw listeners off balance. Its tone and pace are jittery and frenetic, guitars skidding this way and that. "Don't want to live in the now/ Don't want to know what I know," sings Tim Kasher, who then proceeds to describe an unsettling version of the now and the known. The first purge complete, "From the Hips" comes on softly and bursts into fits of churlishness, Kasher dryly theorizing that we were "better off as animals." That might explain why he sounds snakelike on the slithery "We're Going to Hell."

When pumped to maximum theatricality, Cursive come off as members of My Chemical Romance's black parade. In other words, boyish petulance at times threatens to undermine their authority as announcers of the apocalypse. But mostly they… read more »

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Dark

theHIP

overall it seems dark and moody, a bit depressive. Track 2 - From the hips is a classic.

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the last song is incredible!

ernie-c

if nothing else, check that one out. this is the song that they have always been meaning to write. and they finally did it.

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Mama, I'm a fan

theenddecay

This album made me love Cursive that much more. I had The Ugly Organ before this one, but I really couldn't get into it. Then I got this after hearing "From the Hips" on Sirius XMU, and it made me a Cursive fan. There are a lot of great songs on here. "What I've Done" is probably my favorite. I had to go back and listen to The Ugly Organ after this, and I appreciated it a whole lot more. I disagree with the reviewer below though; I don't think any of the songs are boring. And if you follow the overall theme of the album, you'll enjoy it that much more.

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Great record!!

KingSteven16

I'm sure there was some doubt about Cursive's direction after Happy Hollow, but this record, while somewhat different from everything else they've done, yet oddly familiar, is a refreshing change in direction.. A few songs are a bit slow moving (In the Now, We're Going to Hell, and Donkeys are a bit of a yawn) but I Couldn't Love You is one of the best Cursive songs in many years.. A round of applause for Cursive..

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After the stellar Happy Hollow album, Tim Kasher and bassist Matt Maginn questioned whether they wanted to move in the same direction under the Cursive name. A few cards were stacked against them. Cursive’s drummer Clint Schnase, the main man responsible for much of the group’s appeal — their mathy time changes — was out of the picture. The rest of the band lived in different cities. Also, Kasher had just finished his fifth solo album under the moniker the Good Life and was becoming increasingly comfortable making softer rock. After some debate, he and the remaining founding members (Maginn and guitarist Tim Stevens) decided to move forward anyway. Decidedly toned down, Cursive’s sixth album, Mama, I’m Swollen, marks a radical departure for the group. Songs share more in common with the Good Life’s Help Wanted Nights than anything in Cursive’s catalog. Instead of fractured fairy tales there are straightforward singer/songwriter jingles, likely penned by Kasher on acoustic guitar before getting fleshed out with other instruments. However, Kasher remains a cunning wordsmith, and as usual, his lyrics are filled with uncertainty — especially when debating religion, as he’s done on more than a few songs now. The album jumps around from country rock to indie and Americana, with tinges of hard-hitting emo rock here and there peeking out from behind the slick pop ballads. Fortunately, Kasher’s deep running concepts are still entertaining, even though the songs are in a tamer style. “Let Me Up” maintains some of the guts and angular chops of early releases, “In the Now” has the garage rock edginess of Superchunk, and “I Couldn’t Love You Any More” succeeds as a catchy indie pop number. – Jason Lymangrover

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