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Live In Europe

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Live In Europe album cover
01
Introduction [Live In Europe]
0:38 $0.99
02
Ice 9 [Live In Europe]
3:44 $0.99
03
Back To The World [Live In Europe]
5:42 $0.99
04
It's All Right/Amen [Live In Europe]
3:54 $0.99
05
Gypsy Woman [Live In Europe]
4:13 $0.99
06
Freddie's Dead [Live In Europe]
6:17 $0.99
07
Pusherman [Live In Europe]
6:43 $0.99
08
We Got To Have Peace [Live In Europe]
4:07 $0.99
09
We've Only Just Begun [Live In Europe]
3:54 $0.99
10
People Get Ready [Live In Europe]
3:39 $0.99
11
Move On Up [Live In Europe]
8:12 $0.99
12
[Don't Worry] If There's A Hell Below, We're All Going To Go
5:25 $0.99
13
When Seasons Change [Live In Europe]
5:20 $0.99
Album Information
LIVE

Total Tracks: 13   Total Length: 61:48

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eMusic Features

0

Icon: Curtis Mayfield

By Michelangelo Matos, eMusic Contributor

Few musicians deserve the word "icon" the way Curtis Mayfield did. He was one of R&B's self-contained giants: co-founder of Curtom Records in 1968, the most skillful politically and socially-oriented songwriter of the late '60s and early '70s (as well as a romantic bard of the first order), a sweet and supple falsetto vocalist, and one of the most influential guitarists in all of soul and funk. He was the driving force behind the Impressions,… more »

They Say All Music Guide

Although Curtis Mayfield’s album sales had decreased significantly by the late ’70s, the smooth Chicago soul veteran remained a popular live attraction well into the ’80s. Audiences still longed to hear gems from both his years with the influential Impressions and his early solo hits, and he gives them exactly what they want on this album (released as both a single CD and a two-CD set). Mayfield reminds us just how great the Impressions were on heartfelt versions of such ’60s classics as “Gypsy Woman” (which greatly influenced the Isley Brothers), “It’s Alright” and the inspirational “People Get Ready,” and is equally captivating on incisive, early-’70s sociopolitical hits like “Pusherman,” “Freddie’s Dead,” and “If There’s a Hell Below.” Live in Europe’s main flaw isn’t Mayfield’s performances, but a band that, although decent, just doesn’t go that extra mile or do this superb material justice. Horns, a main ingredient of many of his hits, are sorely missed — especially on “Move on Up” — and Buzz Amato’s keyboards simply can’t take their place. – Alex Henderson

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