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Superfly

Rate It! Avg: 4.5 (197 ratings)
Superfly album cover
01
Little Child Runnin' Wild
5:27 $1.29
02
Pusherman
5:01
$1.29
03
Freddie's Dead [Theme From 'Superfly']
5:28
$1.29
04
Junkie Chase
1:41 $1.29
05
Give Me Your Love
4:20 $1.29
06
Eddie You Should Know Better
2:21 $1.29
07
No Thing On Me
4:58 $1.29
08
Think
3:49 $1.29
09
Superfly
3:54
$1.29
Album Information

Total Tracks: 9   Total Length: 36:59

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eMusic Review 0

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Michelangelo Matos

eMusic Contributor

01.12.10
Curtis Mayfield, Superfly
2007 | Label: Rhino

Writing the music cues for Gordon Parks Jr.'s 1972 saga of a drug dealer's big final score, then composing lyrics based on (and undercutting) the film's characters, Curtis Mayfield made his greatest album — and, arguably, the best R&B album of the '70s. Super Fly cemented Mayfield's reputation as black America's most incisive lyrical commentator, thanks to the stinging "Freddie's Dead" and "Little Child Running Wild," not to mention the sardonic title track, a side-eyed celebration of the film's title character: "But when you lose, don't ask no questions why." (Losing, in Mayfield's view, was a foregone conclusion, even if the movie itself ends with Super Fly triumphant.) Even more than Isaac Hayes' Shaft, this is the album that cemented the blaxploitation soundtrack as its own genre-within-a-genre, with Johnny Pate's strings and horns as taut as Mayfield's band itself — the same unit that lit up the performances of Curtis/Live! a year earlier. Not to mention Mayfield's guitar: comforting on the instrumental "Think," stinging on "Freddie's Dead," and never more fluent than on the deadly "Pusherman," the only track untouched by Pate's orchestration, and thus acting as the terse counterbalance to the rest of the album — in the same… read more »

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What's Goin On According to Curtis

edmaury

This would be the Curtis Mayfield equivalent to Marvin's What's Going On album. Funky wah-wah and soaring strings make this an instant 70's era classic. This little child is still runnin wild from this. Thank you to the spirit of Mr. Mayfield for your funky graces and mellowed soul. May your spiritual essence flow throughout eternity.

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A historic masterpiece

jimsoloway

The signature work of a great artist, it's remarkable how well much of this album holds up after 40 years. It's been wonderful rediscovering its greatness.

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Ooohhhh......Superfly!!!!!!

isaacmusicman

This is it! This is it! This is the best album that Curtis produced! It's strange because when I saw the movie, I didn't think Curtis would write music for that kind of movie, and I found out that at first he didn't want to it. But, hey, aren't we glad he did! Seriously does this even need a song overview? From start to finish, this is his best work. Unfortunatly, it would also be his last best album, but he would still go on to have great songs. You know this is worth it, Right?!?!?

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Classic

germ416

Must have for anyone who love great music. On my all-time top 10 list.

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They Say All Music Guide

The choice of Curtis Mayfield to score the blaxploitation film Superfly was an inspired one. No other artist in popular music knew so well, and expressed through his music so naturally, the shades of gray inherent in contemporary inner-city life. His debut solo album, 1970′s Curtis, had shown in vivid colors that the ’60s optimist (author of the civil-rights anthems “Keep On Pushing” and “People Get Ready”) had added a layer of subtlety to his material; appearing on the same LP as the positive and issue-oriented “Move On Up” was an apocalyptic piece of brimstone funk titled “(Don’t Worry) If There’s a Hell Below, We’re All Going to Go.” For Superfly, Mayfield wisely avoids celebrating the wheeling-and-dealing themes present in the movie, or exploiting them, instead using each song to focus on a different aspect of what he saw as a plague on America’s streets. He also steers away from explicit moralizing; through his songs, Mayfield simply tells it like it is (for the characters in the film as in real life), with any lessons learned the result of his vibrant storytelling and knack of getting inside the heads of the characters. “Freddie’s Dead,” one of the album’s signature pieces, tells the story of one of the film’s main casualties, a good-hearted yet weak-willed man caught up in the life of a pusher, and devastatingly portrays the indifference of those who witness or hear about it. “Pusherman” masterfully uses the metaphor of drug dealer as businessman, with the drug game, by extension, just another way to make a living in a tough situation, while the title track equates hustling with gambling (“The game he plays he plays for keeps/hustlin’ times and ghetto streets/tryin’ ta get over”). Ironically, the sound of Superfly positively overwhelmed its lyrical finesse. A melange of deep, dark grooves, trademarked wah-wah guitar, and stinging brass, Superfly ignited an entire genre of music, the blaxploitation soundtrack, and influenced everyone from soul singers to television-music composers for decades to come. It stands alongside Saturday Night Fever and Never Mind the Bollocks Here’s the Sex Pistols as one of the most vivid touchstones of ’70s pop music. – John Bush

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