Hollow

Rate It! Avg: 3.0 (67 ratings)
Hollow album cover
Album Information
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Total Tracks: 9   Total Length: 34:31

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Barry Walters

eMusic Contributor

07.21.11
Auckland quartet wears their Britpop influences on their sleeves
2011 | Label: Frenchkiss Records / The Orchard

When a young Auckland quartet chooses to have its debut overseen by both ex-London Suede guitarist Bernard Butler and Blur producer/mixer Stephen Street, they’re making no secret of their affection for Britpop. But where 2009′s You & I jittered with caffeinated dance-punk, their second, self-produced second album snuggles brazenly and consistently with the Smiths and other kindred souls who picked up 12-string guitars and let their jingle jangle. This is not a band that hides its influences: Cut Off Your Hands loves ’80s/early-’90s guitar bands, and does not shy away from pinpointing and reproducing their favorite riffs.

Downplaying momentum in favor of texture and mystery, Hollow lays the reverb on thickly and fills the spaces between with rumble and sustain. The resulting haze sometimes swallows singer Nick Johnston; the most significant and penetrable words of “Down and Out” are its title. But a wide and tall longing shines through from beginning to end, and its fidelity makes this album far tighter than its predecessor. Like the other tracks, the Byrds-y ballad “By Your Side” chronicles a heap of existential pain, but offers steadfastness as an antidote. Having here honed their sound, these devout Kiwis may never… read more »

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Pleasant and worthwhile

CANTBELIEVEIMPAYINGFORTHISCRAP

This sat in my Saved queue for three months before I finally pulled the trigger (and was leapfrogged by several mediocre records I wish I'd skipped). Had I known they were from NZ I'd have grabbed it right away. Anyway, Hollow is well worth a download. Very jangly, with decent vocals. As the other reviewers say, it mixes old style Byrds with early 90s Scottish twelve-string jangle (Trashcan Sinatras, but not as bouncy).

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not terrible

ewhite

out of 9 tracks 5 are good - the rest are just OK. The guitar riffs on Down and Out show what the group is capable of - there should be more of that on the other songs as well. The lyrics are good but the pop beat mellows them out too much

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Nice

bobbym529

Kind of a cross between The Byrds, The Cure, and Brian Wilson and I mean that in the best possible way.

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