Tron Legacy
Derezzed Leads into the game has changed is you loop those two together you will have the complete scene for the bar fight.
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Everybody has the same complaint
"Derezzed" is Too. Short. Several of the songs have that problem, in fact. That's one of the hazards of movie soundtracks; after all, Tron: Legacy isn't supposed to be a concert.
i get it on to this piece
the ladies ask what it is and i tell them "tron, baby, tron."
Inseparable
Daft Punk is to TRON as John Williams is to Star Wars.
The real third dimension
With an inventive mix of electronic and orchestral sounds, Daft Punk's score to Tron: Legacy achieves what expensive 3D effects failed to do for the film, adding depth and dimension to an otherwise shallow and sometimes nonsensical story. Daft Punk combines forthright thematic ideas with layers of old-school electronics to call up a world that's at once high-tech and nostalgic, as if conjuring a sonic environment directly from the code of the Grid itself, with sounds reminiscent of electronica pioneers like Vangelis. This album wears its other influences on its sleeve, too, namely the Hans Zimmer/Remote Control school of film scoring, from whose staff Daft Punk got some orchestration help. Oddly, that Zimmer-esque sound, which has begun to sound stale and mass-produced after a decade in vogue, gets a shot in the arm by the inclusion of DP's deliberately synthetic-sounding audio. The result is a great album to listen to for sheer power and funky retro-techno style.
The real third dimension
With an inventive mix of electronic and orchestral sounds, Daft Punk's score to Tron: Legacy achieves what expensive 3D effects failed to do for the film, adding depth and dimension to an otherwise shallow and sometimes nonsensical story. Daft Punk combines forthright thematic ideas with layers of old-school electronics to call up a world that's at once high-tech and nostalgic, as if conjuring a sonic environment directly from the code of the Grid itself, with sounds reminiscent of electronica pioneers like Vangelis. This album wears its other influences on its sleeve, too, namely the Hans Zimmer/Remote Control school of film scoring, from whose staff Daft Punk got some orchestration help. Oddly, that Zimmer-esque sound, which has begun to sound stale and mass-produced after a decade in vogue, gets a shot in the arm by the inclusion of DP's deliberately synthetic-sounding audio. The result is a great album to listen to for sheer power and funky retro-techno style.
