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Rome

Rate It! Avg: 4.5 (123 ratings)
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Rome album cover
01
Theme Of ''Rome''
2:21
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02
The Rose With The Broken Neck
3:23
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03
Morning Fog (Interlude)
0:38
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04
Season's Trees
3:11
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05
Her Hollow Ways (Interlude)
0:57
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06
Roman Blue
3:13
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07
Two Against One
2:20
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08
The Gambling Priest
2:03
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09
The World (Interlude)
1:02
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10
Black
3:31
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11
The Matador Has Fallen
1:46
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12
Morning Fog
2:06
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13
Problem Queen
2:36
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14
Her Hollow Ways
2:29
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15
The World
3:29
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Album Information

Total Tracks: 15   Total Length: 35:05

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George Grella

Contributor

George Grella is a lapsed jazz musician, an unfinished composer and an accidental music writer. He’s played at, and/or in, CBGB, The Knitting Factory, Carnegie...more »

07.18.11
An enjoyable but not weighty tribute to Italian movies of the '60s and '70s
2011 | Label: CAPITOL

An exercise in nostalgia and high concept from Danger Mouse (Brian Burton), Jack White, Norah Jones and Italian soundtrack composer and producer Danielle Luppi. Rome is a re-imaging of the experience of hearing music from Italian movies of the ’60s and ’70s, the epoch of Ennio Morricone, Nino Rota and others. Burton and Luppi put the tracks together and enhanced the core group with Italian studio stalwarts like Luciano Ciccaglione (guitar) and Dario Roscaglione (bass).… read more »

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Rome

ColtraneWasGod2

The eMusic reviewer says it's enjoyable, not "weighty," but hear the two Norah Jones tracks a couple of times and they will take over your soul, lock, stock, and barrel. There's something both loosey-goosey and solemnly serious about these tracks, rather like the spaghetti westerns themselves. Well worth your time and money, in my book.

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It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »

1

Six Degrees of Lana Del Rey’s Born to Die

By Michelangelo Matos, Contributor

It used to be easier to pretend that an album was its own perfectly self-contained artifact. The great records certainly feel that way. But albums are more permeable than solid, their motivations, executions and inspirations informed by, and often stolen from, their peers and forbearers. It all sounds awfully formal, but it's not. It's the very nature of music — of art, even. The Six Degrees features examine the relationships between classic records and five… more »