Right from the onset of “Two Worlds” it’s a refreshing splash in the face to hear Daniel Lanois’ pedal steel playing dance around a bed of guitar feedback; it serves as a reference point to some of his work on U2′s The Joshua Tree. Like 2003′s Shine, Belladonna reveals a side of Lanois that is a treat to see. The vulnerable, contemplative side that was such a critical element to his work with Brian Eno is more than evident, and his slide guitar playing also highlights just how important his contributions were to the notable releases of Eno’s solo catalog. The interplay between musicians on the full ensemble tracks is focused and meticulous, with each member knowing exactly when to play and more importantly, when not to. But above all this, it’s Lanois’ guitar that tells the story and is the anchor of the 13-song cycle; a homage to a lost love with Latin and desert country influences embedded within the center of the record. It’s every bit as focused and accomplished as anything in Lanois’ catalog, and die-hard fans will be wanting more long after the disc winds down. – Rob Theakston