Pizza Box

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Pizza Box album cover
Album Information

Total Tracks: 11   Total Length: 41:19

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Pizza Box

jimrread

Awesome album - I've been listening to Bad Livers for a long time and they swing from old-time gospel to driving rock. He does both well, but if you're looking for traditional bluegrass, this ain't it. This album leans more to the rock end of the spectrum. It's really it's own genre - metal grass? crass grass?

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Don't pass on this one...it is the right stuff

DeathByBanjo

Awesome work by a master. This is not a bluegrass banjo cd, it is a cd of carefully, caringly crafted songs about humans, their frailties and their strengths. Musically Danny shines on banjo and guitar,there are some great horns, fantastic percussion and I need to shut up. I could go on but the more I write the more I realize that in the end my words cannot do it justice. Give a listen for yourself.

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They Say All Music Guide

Although Barnes is a banjo picker, on Pizza Box he bravely goes where no man has gone before — with the instrument, and with arrangements that borrow elements of hard rock, R&B, rap, electronica, and country music. His lyrics, as always, are full of snide humor and keen insight, and while he claims he’s not a masterful picker, his solo excursions on the banjo are full of unexpected twists and turns. “Charlie,” the tale of a ne’er do well dope fiend trying to survive a long stretch in the pen for selling a rock or crack to the wrong guy, blends a looped hip-hop style rhythm with some lonesome mountain banjo for a tune that’s part rap and part Appalachian moan. It’s an unlikely mash-up, but Barnes makes it sound as natural as breathing. “Caveman” is a slow, stomping rocker with Dave Matthews on harmony vocals. Barnes anticipates the extinction of the human race with a few paraphrases of Biblical prophesy — “The times get harder, then the cities burn” — and tops it off with an skewed banjo solo. The title track is a bluesy pop song that mulls over the end of a relationship. Barnes strings together the small, intimate moments of a relationship with a weary, intimate vocal that elevates an ordinary breakup to high tragedy. “Miss Misty Swan” is a ragged rocker with a jug band feel that’s based on the folk chestnut “Wild About My Lovin’.” Halfway trough, Barnes drops in a jazzy Monk-influenced banjo solo full of odd squawks and bent notes. “Broken Clock” is a wrenching country tune about a broken marriage that uses all the clichés but manages to avoid sounding too maudlin. Barnes also gives us a trio of rockers. “Bone” rides a funky, kicked-back groove and includes an odd rap interlude and another dissonant banjo solo; “Overdue” is a quiet, passionate salute to long-lasting true love that sounds a bit like the Band, and “Sparta TN” is a Southern rocker with clanging electric guitars and sharp R&B horns. Pizza Box is a long way from the punky bluegrass of the Bad Livers, and may be the best album Barnes has ever made. – j. poet

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