West of the West

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West of the West album cover
Album Information

Total Tracks: 13   Total Length: 57:27

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He can do no wrong

Barkingdog

The album opens with a John Stewart cover. Dave does a fine job of it. Dave loves Calif. and changes he has seen in Cal. Many of his songs reflect the decline of Cal. as he remembers it. None the less the songs are all excellent. I agree with his feelings for California. What a great songwriter.

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Not a good singer?

etoo

I just downloaded this and am listening with great pleasure now, but as a longtime DA fan, I can't let Deming's comment, in the "official" review of this here at eMusic, go unnoticed. A better songwriter and guitarist than singer? Did he accidentally download something entirely different? I guess DA's voice isn't perfect, if you're used to listening to opera, or Tony Bennett, but I've always thought DA's voice is one of the great things about his work, and that seems to be just as true from what I've heard here. Maybe this is was trying to say that his songwriting and guitar abilities are SO HIGH that nothing can match that, but that's the only interpretation that I can think of that makes any sense of such a remark.

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Don't Miss

HeartlandJon

I was a little apprehensive about a Dave Alvin album of covers, but this is an excellent album. Some great guitar work, and classic Dave Alvin vocals. It's a must-have for fans of DA.

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canonical california

powdersno

i was a bit apprehensive about this one when i saw the PASTE review. but this is one helluva'n album. to me, it's the musical equivalent of bill buford's fabulous travel book about california (whose title i cannot recall). california has contributed greatly to popular music - from the beach boys to jackson browne, buck owens to merle haggard, x to black flag, the grateful dead to the red hot chili peppers. i think it's safe to say that dave alvin and his band could open up for virtually any of those artists and MORE than hold his own. it takes balls to tackle Surfer Girl and make it your own - i have this wistful impression of some hispanic american laborer working on a beachfront trophy home who has somehow been seduced by the beauty of some young goddess like surf diva. it is a stunning interpretation. check out Interstate City, where he tears off this fabulous version of Chuck Berry's "Promised Land" as part of a medley with "Jubilee Train" and "Do-Re-Mi." NOT TO BE MISSED!!

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Wonderful

Alterego

I'm new to DA, but I love this already. Excellent guitar work and a great voice - terrific!

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Eh.

Drooch

As a long-time Dave Alvin fan, I wish I could be more enthusiastic about this one. There are some nice selections here, albeit a couple (Kern River, Between the Cracks) that he's recorded better previously. But like his last album, Ashgrove, I find the overall approach too reverent and subdued. It's as though Alvin loves these songs so much he's afraid to damage them in any way, and the result, a kid glove handling, lacks any sort of punch or edge. If he was going for a Nick Lowe crooner thing, he missed. He simply doesn't have the vocal subtlety to pull that off. Come on, Dave, a little more rock and roll wouldn't hurt!

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Another Altitude

miggon

How much higher can a contemporary legend rise? Dave Alvin keeps us on our toes. This collection of hand-picked tunes has already received accolades in major publications. So the glowing reviews you're sure to see here are not just the hysterical ravings of the already converted. All these songs share a common ancestry; they were written by Californians. It's a new best effort from an artist who's renowned as a songwriter himself (Long White Cadillac, American Music, Marie Marie, Plastic Electric 9 Volt Heart, etc.). Now we hear Alvin's often overlooked talent for interpreting the songs he admires while making them very, very much his own. (If you dig Dave, check out Skip Heller on eMusic. Skip is one of DA's fave guitarists.)

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WOW

Sank63

Most impressive set from Dave Alvin. Better than Ashgrove, which became my favorite album from 2004. This is great song writing, great covers, fantastic stuff. If you like Steve Earle, Robert Earl Keen or Tom Russell you'll love this one!

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They Say All Music Guide

Dave Alvin is a California born-and-bred songwriter who has built a career out of creating tunes which brilliantly reflect the cultural melting pot of his home state as he fuses blues, rockabilly, folk, country, jazz and R&B influences with the passion of an archivist and the fire of a born rock & roller. Alvin is a better songwriter and guitarist than a singer, but he’s opted to play the role of interpreter on his 2006 album West of the West, in which he pays homage to a dozen other tunesmiths from the Golden State while tossing in one of his own compositions for good measure. Beyond the fact they’re all the same state, one might wonder just what it is that Tom Waits, John Fogerty, and Brian Wilson (among others) are supposed to have in common, though in their own way each writer here offers a thumbnail sketch of one side of California. Merle Haggard’s “Kern River” is a compassionate but tough-as-nails memoir of life in the West Coast labor camps, Jackson Browne’s “Redneck Friend” is a witty portrait of the decadence and ennui of El Lay in the ’70s, Wilson’s “Surfer Girl” is a man-child’s daydream of the beach as a place where summer vacation never ends and true love is always rewarded, and the contributions from Fogerty, Kate Wolf, and Los Lobos all examine the stakes of life at the bottom of the ladder in a culture built on dreams. Thematically this is heady stuff, but Alvin has the sense not to force the issues too hard and he goes for a tough but easygoing blues groove on most of these 13 cuts, wringing an understated passion out of even the least likely material. While in many respects Alvin is still best described as a songwriter who sings, he knows how to tell a story, and he’s picked some great ones for this album. Alvin understands the drama of “Sonora’s Death Row” just as well as the yearning of “Surfer Girl,” and his performances are absorbing from front to back. It’s hard not to wish Alvin had a whole album of new songs to offer (his “Between the Cracks” stands tall among some very distinguished company here), but West of the West finds him honoring a stellar pantheon of California songwriters while showing that he can stand side by side with them on a good day. – Mark Deming

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