eMusic Review 0
Classic. Untouchable. Violator may be the canonical fave, but there's plenty of evidence in favor of Music for the Masses as Depeche Mode's greatest album. Swinging from singalong anthems like "Strangelove" to the meditative "I Want You Now" and the cod-classical studio creation "Pimpf," the record covers more ground than ever before, but it never feels disjointed, its arc smoothed by a swollen cushion of synthesizers and backing vocals. The band's emotional range is wider than ever, from the intimate betrayal of "The Things You Said" to the self-affirming melancholy of "Never Let Me Down Again"; "Strangelove" finds the group continuing to eke an unnatural brilliance out of minor-key progressions, while "Nothing" uses spine-tingling keyboards and vocal harmonies to render nihilistic fantasies in an unusually visceral fashion. And then there's "Behind the Wheel," a luscious, shuddering fusion of Kraftwerk, J.G. Ballard and America's mythical open roads that single-handedly establishes the blueprint for the electroclash and electro-house anthems of two decades hence.