#1's

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#1's album cover
Album Information

Total Tracks: 16   Total Length: 59:46

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ignore the haters

MichaelsMusic

Ignore the musical elitists and snobs. Sure Destiny's Child isn't the Bob Dylan or Beatles of its generation. But a lot of these songs were empowering for younger girls telling them to be independent, and confident. Music like pop and in this case, pop bands, serve for general entertainment and fun. If we're lucky, sometimes they'll have a stronger message along with the addictive beats. As far as a "musical apocalypse?" That's an obnoxious and exaggerated statement. Every generation will have groups of people who will say the previous collection of music is than the current. Overall, this album should be nostalgic for those who grew up listening to it, or those who appreciate girl power bands!

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Musical Apocalypse

OneWordIsEnough

The 1990s were the musical apocalypse, due to awful manufactured inane girl power groups (and boyband equivalents). Thankfully we have had a return to some musical values since then. Disposable. The sooner, the better.

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eMusic Features

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eMusic Yearbook: 2002

By Michelangelo Matos, eMusic Contributor

Maybe it's a coincidence that three fabulous and endlessly eclectic DJ mix-CDs - John Peel's FabricLive 07, 2 Many DJ's As Heard on Radio Soulwax Pt. 2, and DJ /rupture's Minesweeper Suite - all came out in 2002. But it sure didn't feel that way at the time. Of course, eclectic DJ mixes were nothing new; they'd been a standard from at least 1995, when Coldcut released 70 Minutes of Madness. But 2002 was a… more »

They Say All Music Guide

An honest title for this disc would be Several #1′s, a Bunch of Top Tens, and a Couple New Songs, but #1′s obviously has a greater — if false — ring to it. #1′s isn’t formatted any differently than scores of other anthologies packaged in time for the holiday shopping season, but it’s also timely in that it comes after four Destiny’s Child albums, all of which produced a handful of hits and roughly twice as much filler. Few problems could be had with the track selection. Containing each of Destiny’s Child’s charting singles, with the exception of “Brown Eyes” and the inconsequential “8 Days of Christmas,” the disc reaffirms that Destiny’s Child released some of the biggest R&B singles of the late ’90s and early 2000s. For instance, you didn’t have to be a fan of R&B, or even music, to cross paths with the likes of “Survivor” — an overblown song with a form of success that had more to do with its mega-anthem quality and opportunistic title (the show of the same title was extremely popular at the time). As strategic as Destiny’s Child were, they still have enough substance in their discography to place them as one of the best R&B groups of the ’90s and early 2000s. Though they didn’t follow the previous top female R&B group, TLC, with nearly as much brilliance or finesse, they’ve left behind several singles that will be remembered for something other than their mainstream success. – Andy Kellman

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